A Quote by Leonardo DiCaprio

I really don't know what I'm doing... I don't. It's terrible. I go in there and I learn how to be like the character and do the best I can, and that's all I really do. — © Leonardo DiCaprio
I really don't know what I'm doing... I don't. It's terrible. I go in there and I learn how to be like the character and do the best I can, and that's all I really do.
Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.
It's often been said that you learn more from losing than you do from winning. I think, if you're wise, you learn from both. You learn a lot from a loss. You learn what is it that we're not doing to get to where we want to go. It really gets your attention and it really motivates the work ethic of your team when you're not doing well.
For some reason, people think I am this terrible person and it really hurts me to hear that. I am just doing the best I know how to.
There've been many a season where I couldn't get work, and I think that you learn character development and you learn how to really want what you do in life when you can't really do it.
I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.
It's a challenge of to write a narrator who is doing something that is really unlikeable and morally questionable. A lot of times, you read a book because you like the character, you are cheering for the character; you want the best for the character.
I left Israel to work as a model, to just make money - I didn't care if I was doing an ad for toilet paper or diapers, I just really wanted to allow myself to go to school, to go to university without waitressing, because when I'm in a school environment I just really like to study and have the best grades and learn as much as I can.
One of the rules that I always follow is that no matter how crazy characters may act, and no matter how absurd or strange their actions may be, that it's justified in the character's mind why they are doing it. Not to get all heady about it, but it's fun for me to test how far I can go with things while still keeping it grounded enough that you believe that the character really believes that what he's doing will get him what he wants. It's a personal challenge to me to see how far I can go with that.
We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.
You have to learn to deal with your own, for want of a better word, insecurities, fears. They don't go away. And that's normal. It's human. You don't ever really want to lose that. What you want to do is learn to manage it and to work with yourself. But there's a part of you that has anticipation and fear. And so the important thing to know is that there's nothing wrong with that and that that's normal. You have to learn how to deal with it, certainly, but it doesn't keep you from doing it. And that doesn't go away ever.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
The movie I'm really excited about that I had really fun doing is 'Feed the Dog.' It's with Nat Wolff and Selena Gomez. It's really fun. It's raunchy, like 'Superbad' meets 'Risky Business,' kind of. I got to be a really fun character, an out-there Mrs. Robinson-type character. I get to seduce Nat.
I'm never doing a new album. I'll probably do nothing but singles. I'm as good as anybody out there lyrically and conceptually and can go toe to toe with the best of them throughout history. But I don't know how much longer I'll be doing it. It's not really fun anymore.
When you're doing lots and lots of episodes and you're playing the same character, it's great because you really get to know the character and it becomes a really fast style and you find subtleties in it.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
This site uses cookies to ensure you get the best experience. More info...
Got it!