A Quote by Leonardo DiCaprio
People are always like, 'It must be so hard for you, not to be able to leave your house. I'm like, 'No, I go where I want and do whatever I want all the time.' 'No, you walk down the street?' 'Yeah, I do all the time.' 'Really?' 'Yeah, all the time.'
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My type is really young, short, athletic, and smart. I know, you want to be with someone who's going to be your friend - yeah, yeah, yeah. I want the Adonis line, the two down the hips to the waist. And a guy has to be able to accept criticism about his clothing. I can be very particular about what I like and don't like.
Yeah, yeah, yeah, time travel's a nightmare. Don't go down that path.
I have a really hard time stepping out of a limousine and confronting a sh*tload of photographers who are all screaming at you, because it's like saying, 'yeah, yeah, here I am!'
Films are subjective - what you like, what you don't like. But the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up on-screen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there - I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.
You meet people who say, "Oh, I'd like to do such-and-such, but I don't have the time." But it always seemed to me like you make the time. And if you have a wife or a job, if you have kids or whatever, you find a way. If you really want to do it, you make the time.
It's an exceptional time, and it's always the happiest time if you can be really present and doing the things that you want to be doing and surrounding yourself with the people you love. So, yeah, I'm in a good spot right now.
I am tired, I want to go home. I want to continue my art work, I want to plant a garden, I want to walk in the forest, I want to walk in the fields, I just want to lie down on the grass and feel the sun against my skin. I want to be able to hold my family close to me and not have someone tell me time's up.
In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.
I liked a lot of Tyler's character, the rebelliousness and audaciousness of it, it's like a fantasy of myself, like yeah, I'm the kind of guy who just randomly gets in fights. Yeah, I do it all the time. But, not really.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
And I would go on all these college tours. And I was thinking about where I would want to go. And at the end of each tour, I'd be like, yeah, yeah, yeah. So you guys have any improv groups?'
I want to win an Oscar. I want to be known for more than, like, going out. For being the 'party girl'. I hate that. I bust my ass when I'm filming and when I have time off, yeah, I like to go out and dance.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
I think that's all I want in life, just like peace and be able to make music and like have happiness when it's time off. Spend time with people and family, whatever.
I like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.
People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.
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