A Quote by Leonardo DiCaprio

My love of performing goes way back. My mom got me on 'Romper Room' when I was five - it was my favorite show. But they couldn't control me. I would run up and smack the camera, and I'd jump around and do my little flips and routines. I wish I could get that tape now.
I grew up in Atlanta, Georgia, and I honestly started performing for my family when I was around three. I would jump up on the coffee table and I would get in the closet and ask that they introduce me to come out, and from that point on, my mother stuck me in dance class and children's theater.
When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.
When I was 7, an old lady was driving too fast in my neighborhood and hit me with her car. I was running out of the house, and when I got halfway into the street, my mom saw the car and yelled for me to run back. As I turned around the car hit me, dragged me five houses down the road, and I fractured my collarbone.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
My favorite films, I would put my answering machine up to the television set and hit record. I'd tape my favorite movies and then I could go back and listen to them again. I only had the soundtrack, I didn't have the visuals. But I think it made me really pay attention to the soundtracks.
Toughening up, performing masculinity, pretending to enjoy things I didn't enjoy all enabled me to dodge the gender policing of the adults around me. But the way I really was - the swished hips, the Double-Dutching, the hair flips - seemed to always prevail and attract Dad's disdain.
We just get comfortable in our routines, and that's how it worked before, but now you can see wrestling from around the world and all the promotions, and everyone has something online you could see. And many years ago, you could do these routines, and they weren't routines to the fans because they didn't see them as much.
I would do these performances around town at different places, and that's when I really fell in love with performing, and I knew this was something that stood me up and filled me in a way that nothing had and nothing could. I really just fell in love with it.
I love being in the studio and singing on stage and performing. It's so much fun. I love every second of it - and I love the way you get to show who you are. I love the way fans are really passionate around the world, so I adore performing and hearing people sing along in different countries.
I never had the opportunity to run up and hug my mom and tell her 'I love you,' and she tells me she loves me and hugs me back. I would want her to come to my fights and support me, but it never would happen.
When I got a little older, like, 10 or 11, my dad would run a training school every month, teaching people how to become wrestlers. I would get in the ring now and again and mess around with one of my brothers, and he'd teach me some stuff.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.
When I was a child, I would draw these little stick-figures, and my mom would put them up all over the loft and tell me how wonderful they were. Then you get out there into the harsh reality of the world, and you realize not everybody loves every little thing you do the way your mom did.
I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, 'cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Take a look at me now, 'cos there's just an empty space And you coming back to me is against all odds and that's what I've got to face
'I wish I had only offered you a sovereign instead of ten pounds. Give me back nine pounds, Jane; I’ve a use for it.' 'And so have I, sir,' I returned, putting my hands and my purse behind me. 'I could not spare the money on any account.' 'Little niggard!' said he, 'refusing me a pecuniary request! Give me five pounds, Jane.' 'Not five shillings, sir; nor five pence.' 'Just let me look at the cash.' 'No, sir; you are not to be trusted.'
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