A Quote by Leroy Chiao

On the mission I brought a flag from China, I brought the stone sculpture from Hong Kong, and I brought a scroll from Taiwan. And what I wanted to do is, because as I was going up and I am this Chinese-American, I wanted to represent Chinese people from the major population centers around the world where there are a lot of Chinese people. And so, I wanted to bring something from each of those places and so it really wasn't a political thing and I hope people saw it that way. I was born here, I was raised in the U.S., and I'm an American first, but also very proud of my heritage.
I would love mainland Chinese to read my book. There is a Chinese translation which I worked on myself, published in Hong Kong and Taiwan. Many copies have gone into China but it is still banned.
The problem with a lot of Chinese is that they put up divisions between Taiwanese, Hong Kong natives, mainlanders. We are never united. I really hope that the Chinese can be more united.
Hong Kong people may be ethnically Chinese, but lots of people do not consider ourselves, including me, as Chinese citizens.
Hong Kong is the bellwether. If the Chinese stick to their agreement to let Hong Kong go its own path, then China will also go that way. If they don't, that is a very bad sign. I'm optimistic.
Facebook is blocked in mainland China, but is used heavily by the rest of the Chinese-speaking world, including Hong Kong, Singapore, and Taiwan.
For the world's four Chinese-speaking regions - Taiwan, Singapore, Hong Kong and mainland China - the longer the colonization, the more advanced a place is.
Six months after that, I left Taiwan, first for Hong Kong and then for mainland China, where I spent another three months studying still more Chinese and generally kicking around the country.
It can be argued - and rightly - that Taiwan is not just another regional issue: after all, the Chinese regard it as part of China. But Taiwan is also a regional issue for three reasons. First, the overthrow or even the neutering of democracy in Taiwan, which is what Beijing effectively demands, would be a major setback for democracy in the region as a whole. Second, if the Chinese were able to get their way by force in Taiwan, they would undoubtedly be tempted to do the same in other disputes. And third, there is no lack of such disputes to provoke a quarrel.
Americans believe that you can alter people by conversion, and that everybody in the world is a potential American. The Chinese also believe that their values are universal, but they do not believe that you can convert to becoming a Chinese unless you are born into it.
I am a first-generation American of Chinese decent. My parents were both born and raised in China and moved to the U.S. in their 20s.
In a way, this is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
There are a lot of Chinese-American designers and Chinese designers who have had an impact a little bit on the American market, but I think it's going to be interesting to watch if, over time, somebody can emerge from China who is based in China, and whether they come and show in Paris, like Rei Kawakubo or Yohji Yamamoto did.
As the Chinese girl, you don't fit in with anybody. It wasn't a large Chinese-American population, so I didn't grow up having a community of Asian friends. Even when there were Asian people, we sort of existed on our own.
What we saw in Tiananmen Square 31 years ago was a massacre, a massacre of innocent people that came from Hong Kong but also Chinese people to protest.
They [Chinese] have very smart, experienced people. I don't want to paint them all with the same brush. There was a little bit of a feeling that the stock market, which went from something like $4 trillion in valuation to $10 trillion, that the Chinese wanted that.
This is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
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