A Quote by LeRoy Neiman
Every time I started painting it was like a new experience, but they all came out the same.
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When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.
I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.
A lot of young painters love to incorporate celebrity. One idea of being a painter is to use what's happening at the time. Velázquez was painting of his time. And so was Rembrandt. And Francis Bacon was painting his time in London. He was a real mover, but he saw the insect in the rose. But yes, when I do a painting, I want to take the "I did this" out of it. That's why I started using chance, like the markings on the wood. I never wanted to compose.
You're not ever going to get it done. Every time you evaluate contrast and conclude and then line up your Energy and allow it into your experience... at the same time you are achieving the result that you intended, you also achieve a new perspective from which to intend. You can't stand still. In every moment, there is a whole new set of stuff... new ideas, new desires being born.
When Johnny came to Baltimore the same time I came we were rookies. He did have some pro experience. He did go with the Pittsburgh Steelers and they cut him. I had no pro experience. My thing was that hey I got to make this team. Johnny Unitas wasn't Johnny Unitas.He was just like every other quarterback. You couldn't see the things we know that evolved out of that years later. As the years went on I could really start to see him settle in that position. Fortunately for Johnny U., Weeb Ewbank was there and he worked with his quarterbacks. He had them knowing every aspect of the game.
Every time I'd go out drinking I was looking for something new. But it was the same every time. I'd wake up in some bed with some person, I had a hangover and a show to do. And the truth is, it was the same every time. But now life is... pretty interesting without the alcohol.
I really like my life right now. I have friends around me all the time. I’ve started painting more. I’ve been working out a lot. I’ve started to really take pride in being strong. I love the album I made. I love that I moved to New York. So in terms of being happy, I’ve never been closer to that.
I think Walking Dead is one of the friendliest new reader type books in that every time a new trade is shipped out, a new issue is shipped out at the same time.
Every time a new rock singer comes out they don't say, 'Are you the new John Lennon?' Every time a new rapper comes out, it's not, 'Are you the new Dre?' I am never sure why this sort of genre, the categorization is so strong. I have not earned the right to be called the young Sinatra, but give me time.
There's a difference between craft and painting. Craft, your job is to make it exactly the same every time. Painting is the opposite, but in painting there is some craftsmanship, which is called technique. But technique is spontaneous. That's the treasure, the most important part. You are in it.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
I'd had a relationship with a woman when I was 20, but nobody cared then. As it came out at the same time as my fame, I started to have panic attacks.
In youth we may have an absolutely new experience, subjective or objective, every hour of the day. Apprehension is vivid, retentiveness strong, and our recollections of that time, like those in a time spent in rapid and interesting travel, are of something intricate, multitudinous, and long-drawn-out. But as each passing year converts some of this experience into automatic routine which we hardly note at all, the days and the weeks smooth themselves out in recollection to a contentless unit, and the years grow hollow and collapse.
I think I started out okay but with AIDS came a great deal of silence about gayness and this period of lose and morning, but at the same time a kind of feeling like you wanted to get back into the closet because being gay was such a terrible thing at that point.
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