A Quote by Les Dennis

As a young comedian playing the working men's clubs in the 70s, I'd been in awe of Dustin Gee. — © Les Dennis
As a young comedian playing the working men's clubs in the 70s, I'd been in awe of Dustin Gee.
If I was a young man, I might have bypassed the whole comedian-actor thing and just been a filmmaker. Then I'd probably have spent my whole life going, 'I wonder if I could have been a comedian.'
I enjoyed working with Dustin Hoffman. That was really fun. He decided that to really be effective as Woodward and Bernstein, considering their differences, we should spend some time together. Because Dustin and I were very different.
Working with Robin Williams, and Bob Hopkins, and Dustin Hoffman and you're talking about 'gods,' really, in our industry. You look at legends everyday. It was so impactful to me as a young artist.
I was with a famous comedian when a young fan walked up and asked for an autograph. The comedian blew him off. I'll never forget the look on the young boy's face. He was devastated.
I had been nominated for an Academy Award for my performance as Sandy Lester, Dustin Hoffman's neurotic, struggling actress girlfriend, in 'Tootsie.' Under Sydney Pollack's direction, 'Tootsie' had been a runaway hit starring Dustin as an unemployed actor who pretends to be a woman in order to land a role in a soap opera.
I don't remember what was going through my mind, but what was going through my body was fear and terror. I had been on the road with Johnny and working gigs and playing a lot of the organ clubs.
I don't consider myself a particularly young chess player. I have been playing in the best tournaments in the world since I was 16 years old. In other sports, if you have been playing for seven years, you are not a young prodigy any more. You're one of the pros.
My dad worked 12-hour shifts in the Kodak factory - I remember creeping about when he was on nights - but he was also lead singer in a band playing in British Legion and working men's clubs. My earliest memories are of being sat at the back of a pub, falling asleep on the bench while my dad played.
I've been working since I was 18. People say something every time I cut my hair. They wouldn't say this to Dustin Hoffman.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.
Ever since I've been old enough to shave I've been playing clubs.
My thinking has always been that the worst problem we have with regard to lack of inclusion is the terribly low labor force participation rates and terribly high unemployment rates of young men, especially young men in ethnic minority groups and, in particular, young black men.
I'm working on a young adult novel. I've been working on it for a while, because I don't know how to write a novel and I'm teaching myself. For that reason, I've been reading a lot of YA [young adults], which I never have before. It's totally new to me.
I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere.
I started working at clubs when I was sixteen, which is young. I would not want my kid doing that, but I did, and that's how it went.
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