A Quote by Les Wexner
"What would people say about you when you're gone?" That to me was a very important question. I thought about that for a couple of years and said, "What people say about you when you're gone doesn't matter. You're gone." What really matters is, "What do you say about yourself in the here and now? Are you proud of what you're doing?" If you had a short lease and it ended today, or it ends tomorrow, what would you wish you would have done? You better do it.
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Ever morning, until you dead in the ground, you gone have to make this decision. You gone have to ask yourself, "Am I gone believe what them fools say about me today?
I've said jokes where I thought people might get up and hit me for this. A couple of people have thought about it. But they didn't. It gives you a lot of power, because if you're on shows where people are worried about getting sacked and you're not, then you're transcendent because you say what other people would like to say.
I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act. I simply wondered about the dead because their days had ended and I did not know how I would get through mine.
People would say, 'Boy, I really loved you in Ferris Bueller," and it would really aggravate me. I thought I was a one-trick pony, and people had seen the trick. Now that things have worked out and I've gone on to other things, I'm really pleased that people enjoy it.
When people asked me what I thought when Jerry Rubin went to Wall Street, I would say, 'I still feel palpitations of love, even if I've gone in one direction and he's gone in another.'
I tell people I never got to hear Dylan Thomas read because my husband wouldn't let me, because he thought it would be a sort of bad influence. People say, 'And you didn't go?' They're so surprised because the me they know would have gone. And I say I was very much a 'yes, dear' wife.
Go first to your Highest Thought about yourself. Imagine the you that you would be if you lived that thought every day. Imagine what you would think, do, and say, and how you would respond to what others would do and say. Do you see any difference between that projection and what you think, do, and say now?
[Grandfather] would manufacture funnies with Grandmother before she died about how he was in love with other women who were not her. She knew it was only funnies because she would laugh in volumes. 'Anna,' he would say, 'I am going to marry that one with the pink hat.' And she would say, 'To whom are you going to marry her?' And he would say, 'To me.' I would laugh very much in the back seat, and she would say to him, 'But you are no priest.' And he would say, 'I am today.' And she would say, 'Today you believe in God?' And he would say, 'Today I believe in love.
I never thought about my image. It interests me that there are people who do, that they seem to be methodical about it. Maybe things would have gone differently for me in some ways if I had.
If you and your church were to disappear off the face of the earth tomorrow, would anyone in the community around you notice you were gone? And if the community did even notice would they say 'we are really glad they are gone', or 'we are really going to miss them'?
I said to my husband, 'my boobs have gone, my stomach's gone, say something nice about my legs.' He said, 'Blue goes with everything.'
In the 1970s people were afraid to call me black because they thought it was an insult. They would say 'coloured.' Now it has gone full circle. It's not an issue. The intention is the most important thing.
I think what I've tried to do is make the world a better place. I think that's what's really important. Nobody remembers who sold the most togas in Rome. In terms of legacy, people remember the great villains more than they remember the great heroes. So I think how you feel about yourself is the most significant question. What do you say about yourself when you put your head on the pillow? Are you really proud of what you're doing and the way you're doing it? I think it's really a fundamental question.
I think people were a little bit too concerned about what I would or would not be allowed to say. So let me just get that out of the way and get on to the business of telling, you know, a story, or two, or three, or 15. And also to say, "Okay, look. Here it is, don't worry about it. The restrictions and the watered-down and all the stuff that you thought was gonna happen really isn't the case." So we done got that out the way, and now we can just kind of move on.
I knew if I had gone to school - if I had gone to Juilliard and danced for four years - I would have spent every day wondering what would have happened if I had gone to Los Angeles instead.
I have a couple of thick files about things that have gone wrong between people; I ought to write about them in the manner of a thriller. It would finally convince me that I was a real writer.
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