A Quote by Lesley Ann Warren
I've been a character actress right from the beginning. I was no more like 'Cinderella' in my real life than I was like the neurotic poet in 'Cop.'
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I was a little hippie on a world backpacking adventure, and suddenly I became a vampire princess. I still find it hard to believe that it is real. I feel ludicrously lucky to have been chosen to play such a compassionate, complex character for my first film, and I am so grateful to all the beautiful people who made it possible for me. It was a dream come true. I felt like Cinderella every day, going to work with this amazing team on this dream script. If Cinderella were a vampire.
There’s an old writing rule that says ‘Don’t have two character names start with the same letter’, but I knew at the beginning that I was going to have more than 26 characters, so I was in trouble there. Ultimately it comes down to what sounds right. And I struggle with that, finding the right name for a character. If I can’t find the right name I don’t know who the character is and I can’t proceed.
Across all Cinderella versions it was clear that the 21st century was not very much in evidence, particularly in the character of Cinderella so it seemed, it felt actually as though it hadn't been done for quite some time, not with the kind of lushness that we could do it with, with an absolute removal of the passivity of Cinderella and finding an amusing way, a lighthearted but significant way of making her proactive and not a girl who's life is about waiting for a bloke.
I always played the ugly sister instead of Cinderella or the Wicked Witch. But those are the parts I love, and actually, to be a character actress, you have more longevity, hopefully.
It was great, because as far as playing such an iconic character that Cinderella is from the Disney world, walking into such a raw and authentic environment - even though it's the real world, and it's Jacinda, it's still Cinderella that's being cursed, and now she's in the real world as Jacinda.
When I was a kid, I really loved watching 'Cinderella.' It's a fantasy, and every girl knows that real life isn't always like these movies, but as a child, I just really loved the story of 'Cinderella.' I found it to be so romantic and just a beautiful movie to watch.
If I see a cop, it's not like, 'Oh, there's a cop who's gonna keep me safe.' It's more, 'There's a cop who might be having a bad day, so don't make eye contact.'
You have been told that Real Life is not like college, and you have been correctly informed. Real Life is more like high school.
When you ask "Do you wanna dance, my barefoot Cinderella? Don't need no slippers or a party dress,the way you're lookin' right now is what I like the best", and then you... Say "do you wanna take a chance? Stay with me forever, no one will ever be more beautiful my barefoot, my barefoot Cinderella.
I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.
I can also be very happy in this life, but it's usually happiness that I get from other lives I've lived and other dimensions. This life is hardly important to me. It's very small compared to the importance that I think the fourth and fifth dimension have. Those places are much more real to me, like when you have a dream and it's more real to you than real life. Compared to where I'll be going, this life seems like a dream that just feels like a dream.
I've been called a point guard, I've been called a traffic cop, I've been called a ringmaster, a lion tamer, whatever. And I guess the thing about the traffic cop is I'm more of a rogue traffic cop because a good traffic cop doesn't want any fender benders.
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past thirty years. If I play a cop, it's always a racist cop, or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
My character's kind of grown up with Katniss. The beginning of the story, they're more or less brother and sister than anything. They're best friends. They've been keeping each other alive. It's a little frustrating, for the character. As the character, not as me.
An actress without talent, forty years old, ate a partridge for dinner, and I felt sorry for the partridge, for it occurred to me that in its life it had been more talented, more sensible, and more honest than the actress.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
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