A Quote by Lesley Garrett
What people really should be able to be confident in is that the standards of music- making that classically trained musicians present is elite, it is the best and all of us as artists should be committed to that.
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I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free. If your music winds up on Napster and you approve of it, then the person downloading your music should at least go to your concert, should at least purchase your songs.
There should be more love in Toronto when it comes to the music and entertainment scenes instead of keeping that Screwface Capital name. There should be more artists eating together, more artists celebrating together and more artists making music together. That's how I feel.
I'm often surprised by classical music and musicians. I've met a large number of them because my wife works for the Boston Symphony, and I'm in that world a lot now. I'm surprised at how difficult it is for people who are classically trained to read music or to memorize music, how difficult it is for them to improvise, to just go off and play. It's sort of, it's like terra incognita. They just, (makes noise) they don't get it.
The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free.
Musicians are like politicians. They're the last people who should be making music, just like politicians are the last people who should be running things.
I used to practice piano for hours, and now, with a synthesizer, you can input the music and the machine perfects the song. That's why we have so many people in the music business who should be plumbers. They don't really understand music because they haven't been trained.
For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.
My mum didn't want me to really pursue music in the beginning, but I'm a classically trained guitarist because of her.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
Great wealth could make an enormous difference over the next decade if they sensibly support the scientific elite. Just the elite. Because the elite makes most of the progress. You should worry about people who produce really novel inventions, not pedantic hacks.
My idea is that artists should make their music available for free, and fans should only pay for it if they really like it.
My dad's father was a White Star Line trumpet player in the '20s. It shaped the way that I think about music. My grandfather was classically trained, military trained. He was an orphan who ended up in the Military School of Music in Kneller Hall.
I'm 19 years old. I think I'm doing a pretty good job...Basically from my heart I really just want to say it really should be about to music. It should be about the craft that I'm making. This is not a gimmick and I'm an artist and I should be taken seriously.
They call them performance artists, but they shouldn't be making an album. They should just be dancers. I don't know, I'm a musical snob. I feel like if you're going to record music and you're going to be a singer, you have to be able to sing.
I think that people have been claiming hip-hop as being dead since the moment it started. I think there are people - and I can be included in that category sometimes - that get frustrated feeling like maybe the industry has handcuffed itself, or trained its artists to do or think about music in a way that classically hasn't led to the greatest records in hip-hop.
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