A Quote by Lesley Gore
The short story and the truth is that I was taking vocal lessons here in New York... One day, instead of my lesson, the piano player and I went into a studio... and we put down some demos... Those demos got to Quincy Jones through an agent... He listened to them, he called me, and we started to record.
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What has happened is that to some degree they have taken an attitude where they don't listen to demos of diverse subject matters. They're looking for demos like the record the guy on the left just did.
I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
I started dance class when I was a little kid, and then, when I turned 11, I started taking vocal lessons, guitar lessons, and piano lessons.
I don't make demos. I don't have the interest or the energy or the time. Demos are something you do in the early stages of your career, but when you get going, you just go in and record the song.
I have started to record some demos so hopefully in the near future I can play live.
Nine Inch Nails was born out of Cleveland, Ohio, with me and a friend in a studio working on demos at night. Got a record deal with a small, little label, went on tour in a van, and a couple years later found that somehow we touched a nerve, and that first record resonated with a bunch of people.
I tried to stay away from the Euro beats, and not go totally pop. Instead, I wanted to take the Quincy Jones approach. The record pays homage to the Stevie Wonders, the Michael Jacksons, the Sam Cookes. I wanted to put that classic essence of R&B and soul with the new age of music now. There’s a lot of live instruments, and a lot less Auto-Tune. I really wanted to demonstrate my vocal ability, creating the vibe of me singing along with a band.
I got a publishing deal with BMG, they were supportive, and some money to record demos.
I got a publishing deal with BMG, they were supportive, and some money to record demos
Usually when we go in to cut demos, one of us will lay down some mumbling sort of stuff for the vocal melodies because the lyrics don't come until later.
I started taking piano lessons from the age of six years old. It's such an essential part of what I do in the production process. I wouldn't be Kygo today without those piano lessons.
I started playing the piano when I was 6 years old 'cause my folks tried to get me away from the gramophone. And I just - I lived for music since I could think. And they got me piano lessons. So by the time I was 13, I was quite an accomplished piano player and musician.
My mom tells this story that even when I was in the womb, my father played the piano and she sang. So, before I officially got here, I was already surrounded by music. I also like the way my father explains it. When I was about 3-years old, in order to keep me quiet, my father would put me in the bassinet and either put on some music or play the piano. When he started playing, I got quiet and eventually went to sleep. He said by the time I turned 3, I just climbed up on the piano and started playing it with the attitude of I'm gonna play dis here piano.
The hard part was when I went into the studio with co-producer Eric Broucek, and he started slashing my demos. I always sweat that.
Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
I started taking piano lessons when I was about four years old. My parents were both musicians. So I took piano lessons. I didn't like the lessons very much, but I was enchanted by music. Music always transported me somewhere. Singing made feel good and being able to play the piano made me feel good.
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