A Quote by Lesley Gore

I still get a chill when I sing, 'You Don't Own Me.' I find some new feeling in it every time. — © Lesley Gore
I still get a chill when I sing, 'You Don't Own Me.' I find some new feeling in it every time.
New Zealanders are so chill. I know they say Australians are chill, and I feel like Australians are chill, but I keep thinking, "If they get drunk, they would commit a hate crime." Now that is an extreme position to take, but it's just a feeling I get. New Zealand people, I don't see that.
I'm specifically referring to this certain feeling of sadness, fear, and helplessness that descended on me at the Mexico City protest a day or two after the Narvarte murders. Many of us have grown familiar with that feeling. Every few weeks or so it seems we're hit with some new crime or some new corruption scandal that isn't quite the same as a massacre, but that spawns a feeling of futility and despair in its own way.
It just amazed me that so many people came to see my show even to a place that I've never been to. I was independent for a long time and I knew every person who I sold my CD to. But now with a major record contract, you don't get to meet every person who buys your CD. It's a new feeling, and it's very inspiring that they have been waiting for me to come to their town and sing.
But I absolutely love New York. Every time I go there, I still get excited. When you come over the bridge and you're coming towards Manhattan, I still get goose bumps every time.
Chill? I can't chill. I find it so difficult to sit still.
I can't sing “I Believe I Can Fly”. I sing that horrible. But I can sing “I Gotta Feeling” good. I wrote it for my capabilities. So I Gotta Feeling is just about let me make a song to inspire people to have a good time.
My goal onstage is to always have people leave feeling that they received something very special, an inspired feeling that they can take with them and into their lives. That's what the artists I love have always done for me and that's what I have always admired and tried to emulate in my own performances. I still believe that music stands alone in its power to communicate "spirit", whatever that might mean to any given fan. It's a mystery and it's something I still find so exciting and challenging at the same time.
You're not ever going to get it done. Every time you evaluate contrast and conclude and then line up your Energy and allow it into your experience... at the same time you are achieving the result that you intended, you also achieve a new perspective from which to intend. You can't stand still. In every moment, there is a whole new set of stuff... new ideas, new desires being born.
Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.
To me, a song is new every time I sing it.
You don't get rich, you don't often have much fun. Sometimes you get beaten up or shot at or tossed into the jail house. Once in a long while you get dead. Every other month you decide to give it up and find some sensible occupation while you can still walk without shaking your head. Then the door buzzer rings and you open the inner door to the waiting room and there stands a new face with a new problem, a new load of grief, and a small piece of money.
It didn't make much difference what time of night it was, whenever [my father would] come in drunk, he'd say, "Get up and sing me some songs." We didn't want to sing but we sang.
My father said to me at one time, 'If you are still a disc jockey by the time you are 30, you better find another line of work.' Little does he realize, I am in my 70s, and I still do seven or eight hours of radio every day - or every week.
The thing about acting is even if you get technically more skilled at what you do, every time you begin a film or a play you're terrified. You don't know if you're going to pull it off. Every film and every story has its own set of challenges. I've never felt like, oh yeah, that's it, nailed it! You can never sit and rest. That's why it's such an exciting job. It's beginning again every time you begin again. New story, new character, new place, new time, new director. It's like moving to a different planet and trying to figure out how to live there.
So every time I make a new circuit, a new time around, then I change the show. You can't change the songs; people still want to hear "Lady Sings the Blues" and they still want to hear some of the oldies.
I think the world is ready for some rock 'n' roll. Some real time guys that play their own instruments, write their own songs, and sing the music and have a good time doing it.
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