Mike Leigh is my all-time favourite writer/director/creator.
When I make films, I work with Mike Leigh, who's the most prolific director in England.
Mike Leigh taught me about making choices - as an actor, you choose between being honest and clever, and with Mike, it's always about being honest. I learned how to behave on a film set from Jim Broadbent. He was a great example of someone with a fantastic career who kept his feet on the ground.
I often draw from people in my own experience to base a character on, going back to my days with Mike Leigh.
I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
I'm very influenced by Mike Leigh and the way that he always has these climactic confrontations, like in 'Secrets and Lies' and 'High Hopes,' in which the ensemble cast meets in one location.
Mike Leigh and Ken Loach are the people I look up to. They are quality film-makers making interesting, controversial, ground-breaking movies with very little eye on the marketplace.
In the beginning of 'Jersey Shore,' for sure, that was the real Mike. That's the Mike that I know, that's the Mike I love. And that's the Mike I strive to be every day.
Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
Leigh Bowery is a legend. Everybody loves Leigh Bowery. Everybody should love Leigh Bowery.
I met Mike Judge when I was working on my own cartoon for MTV; it did not air. But I got on with Mike and then did a few voices on 'Beavis and Butt-Head' because of it.
I drew influence from Mike Leigh, Ruben Ostlund, a lot of Scandinavian filmmakers, Lukas Moodysson. I also drew influence from horror films and thrillers, which is something I would never think to do earlier in my career.
I wanted to work with Mike Leigh. I had my list of British people I wanted to work with, and I wanted to work with David Lynch and Woody Allen.
Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
I had left school at 16, gone to stage school - and, until I was 22, I hadn't really played anyone but myself. Then in 1979, I made a film with Mike Leigh called 'Grownups,' which went out on the BBC, and overnight this new career opened up.