A Quote by Lesley Sharp
Playgrounds are like microcosms of the world, aren't they? So you look around and you go, 'This is the world, is it? It doesn't work for me. I'm not the beautiful one, I'm not the popular one, I'm not the funny one. There are all these types and I'm not any of them.' And when you're not any of them, you're sort of invisible.
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We've been led to believe that we have a very dumbed-down society - and that people are not thinking and are just sort of interested in escapism. However, if you look at this young generation, what I've been noticing is that they are extremely compassionate. They are extremely globally aware and interested, and they want to participate in making the world a better place - but they don't know how. As adults we are failing them by not providing them with any sort of guidance, any map, or any blueprint to do this stuff.
The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
We don't look at problems logically, we look at them emotionally. We look at them through the guts. We look at them as if we're doing a high school problem, like what is beautiful, what makes me recognized among my peers. We don't go and think about things. We, as a society, don't wish to engage in rational thought.
If we can get people engaged in the world around them in any form, in any way, that's a positive thing, and hopefully we can get them to come to the news more.
With the kids around, this is a different world to me. I spend a lot of time with them till they go to their playschool. I wake up early, have breakfast with them. I come back from work and am with them again till they go to bed by 10 P.M. Touch wood, this is what I wanted always.
Any time we read a newspaper or take any look at the world around us, we are aware of the cruelty and violence that dominates our world.
The popular girls let me hang out with them because I was funny. They told me that. 'You're not popular, but you're funny.' Now all my friends are funny.
With twenty six letters, you can create anything you like - any person, any world, any place, any emotion. And they are so potent, so powerful, and at the same time, they're marks on the page, and that's all. There's nothing else to them.
If in another world there is any riding — and God forbid that I should go to any heaven in which there are no horses — I cannot but think that there will be a soft swishing as of the footsteps of some invisible horse heard occasionally on the familiar trails over which the equestrian statue is to look.
I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined.
I watch women continuously. I want them to look beautiful, I am not interested in making them funny, but just beautiful. They have got to look marvelous to please their own men.
I like mainly to be invisible, to sort of drift around unseen in the world.
I look at ordinary people in their suits, them with no scars, and I'm different. I don't fit with them. I'm where everybody's got scar tissue on their eyes and got noses like saddles. I go to conventions of old fighters like me and I see the scar tissue and all them flat noses and it's beautiful. ... They talk like me, like they got rocks in their throats. Beautiful!
You go to any town, any city, any state in America and there's always a McDonald's. In a lot of places around the world, it's almost the same thing. And Nikki Giovanni was like, "Damn, where are we keeping all these cows?" And it made me think to myself, like, "Damn, where are we keeping all these cows?!" It makes me think that the beef we're eating isn't even close to being real. There can't even be enough cows in the whole world just to sustain the appetites of just Americans! I'll always remember that.
I feel like if you know any women who's an essayist or a writer or a public speaker or just a public person, and they have any presence at all in any kind of social media, or any place where men can voice at them, you have to be pretty amazed at the level of special provocation and sort of violent speech and misogyny that comes at them. Any woman that's really in the public sphere has experienced this. It's kind of shocking how universal it is.
I love religion. I could make up religions all day. I sort of think that in an ideal world I'd like to be a religion designer. I'd like people come up to me and say, I need a religion. I'd go talk to them for a while, and I'd design a religion for them. That would be a great job. There's a need for people like that. Fortunately, seeing that one can't actually do it, I get paid for sort of making them up anyway.
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