A Quote by Leslie Bricusse

I wanted to grow up to be George and Ira Gershwin from the age of about six. — © Leslie Bricusse
I wanted to grow up to be George and Ira Gershwin from the age of about six.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
I wanted to honor [George Gershwin]. He's a great American songwriter.
Ira Gershwin, shame on him. I mean, some of the writing.
Ira [Gershwin] was the shyest, most diffident boy we had ever known. In a class of lower east side rapscallions, his soft-spoken gentleness and low-keyed personality made him a lovable incongruity. He spoke in murmurs, hiding behind a pair of steel-rimmed glasses..Ira had a kid brother who wore high stiff collars, shirts with cuffs and went out with girls.
My favorite leader is George Washington. Because he came from very modest circumstances. He wasn't the son of a plantation owner. He was the son of a farmer. He had no formal education, very frustrated. He started writing a diary when he was in his teens, and he wrote things like, "When I grow up, I want to be respected. When I grow up, I want to be successful. When I grow up, I want to know things." What I find fascinating about Washington is he wanted to make something of himself.
I saved up my pocket money when I was about five or six years old. I just wanted to buy a CD, and at that age, I didn't care about what it was, and I ended up buying 'The Teletubbies Say 'Eh-Oh!'' I started off strong.
Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
I've been a Leeds fan for as long as I can remember. When you are about five or six, you adopt a team - obviously, I didn't grow up in Leeds. I grew up in a small town on the Irish border, and most of the people my age were Leeds fans, both then and now.
My first role was in the George Gershwin musical 'Crazy for You' at the Orlando Repertory Theatre when I was 11 - I grew up in Florida - and I wasn't old enough to be in it, but they let me anyway. I was just this little shrimp in a leotard.
I've had a couple of times where things were so extraordinary wonderful that it changed my world. One of them was when I met Ira Gershwin and started working with him. That was a game-changer for me. It changed the entire course and direction of my life.
He's a world-famous name to people who care about his music, but there are many people who have never heard of George Gershwin and those numbers increase.
George Tenet was actually a very strong centralizing force. If you met George by personality, George met with the president six days out of seven: nontrivial attribute inside the federal government. And George was head of the CIA.
George Gershwin died on July 11, 1937, but I don’t have to believe it if I don’t want to.
I wanted to go and I wanted to drive the miles for no pay, I wanted to set up the rings, I wanted to set up the chairs, I wanted to go to training six-seven days a week for hours upon hours and blow myself up to where I can only work on instinct. I wanted to sleep in my car. I wanted to do all of that.
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