A Quote by Leslie Caron

It's very difficult to marry into another civilization. — © Leslie Caron
It's very difficult to marry into another civilization.
The significance of a basic medium to its civilization is difficult to appraise since the means of appraisal are influenced by the media, and indeed the fact of appraisal appears to be peculiar to certain types of media. A change in the type of medium implies a change in the type of appraisal and hence makes it difficult for one civilization to understand another.
Jews took it very seriously to marry other Jews and repopulate the Jewish bloodline, and my father's generation gets very serious in my household when they're like, "You have to marry another Jew," because that's still kind of the mentality coming from the baby boomers. So I know that type of pressure.
We live in a society where we don't want to commit to another person for life. We do at the moment that we marry, but less and less people marry. We marry later, we marry less. On some level of the unconscious, we know there is less of a chance that a marriage will be life-long.
Marry me," he said. "Marry me, Tess. Marry me and be Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
The stamping out of the artist is one of the blind goals of every civilization. When a civilization becomes so standardized that the individual can no longer make an imprint on it, then that civilization is dying. The mass mind has taken over and another set of national glories is heading for history's scrap heap.
The mortality of those who dig minerals is very great, and women who marry men of this sort marry again and again. According to Agricola, at the mines in the Carpathian mountains, women have been known to marry seven times.
We're producing a movie now, 'The Onion' Movie, and it's very difficult for me to be on the set. If I'm not right in the trenches, it's very difficult for me to watch another director, because I'm not involved and it's not exciting.
Mort was hurt by this. It was one thing not to want to marry someone, but quite another to be told they didn't want to marry you.
I can only do what's easy. I can only entice and be enticed. I can't, and won't, attempt difficult relations. If I marry it will either be a man who's strong enough to boss me or whom I'm strong enough to boss. So I shan't ever marry, for there aren't such men. And Heaven help any one whom I do marry, for I shall certainly run away from him before you can say 'Jack Robinson.
Most of the artists I know are crazy in one way or another. I think that's why you get into it. You're in pursuit of a certain sort of peace that's very, very, very difficult to come by.
Hundreds of thousands of years ago a very powerful civilization lived in what we now call North America. They congregated around power places - interdimensional vortexes where it is very easy to shift from one plane of reality to another.
It is very difficult to work in another language, and it is also very challenging.
As individual people, embedded in our daily lives, of course we're interested in what makes one person different from another. We've got to hire one person and not another, marry one person and not another.
Then in came this script with another very low offer, and another drug addict and a depressing and difficult part to play. I thought, 'Why should I put myself through that for hardly any money?'
Oh dear... it really is rather disillusioning. When one's friends marry for money they are wretched, when they marry for love it is worse. What is the proper thing to marry for, I should like to know?
When I was 6, a family friend gave me E.L. Konigsburg's 'A Proud Taste for Scarlet and Miniver' and launched me on a full-blown Eleanor obsession. I wanted to ride off on Crusade, to launch a thousand troubadour songs, to marry a king - and then jilt him and marry another.
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