A Quote by Leslie Fiedler

Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present. — © Leslie Fiedler
Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
And I love Jane Austen's use of language too--the way she takes her time to develop a phrase and gives it room to grow, so that these clever, complex statements form slowly and then bloom in my mind. Beethoven does the same thing with his cadence and phrasing and structure. It's a fact: Jane Austen is musical. And so's Yeats. And Wordsworth. All the great writers are musical.
How I wish I lived in a Jane Austen novel!
I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.
The latest gorgeous entry in the Belknap Press' growing library of annotated Jane Austen novels arrives, this time the mighty Emma under the exactingly careful guidance of Bharat Tandon of the University of East Anglia. Belknap has once again done its end of the job superbly: the book is a physical treat-luxuriantly over-sized, heavy with quality paper and solid binding, decked out in a beautiful cover and dozens of well-chosen illustrations throughout. This is one of the prettiest Jane Austen volumes available in bookstoresthis season.
It was like being in a Jane Austen novel, but one with far less clothing.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
I tell stories. I kind of stumbled on that by trying to combine Jane Austen and magic.
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunity-how ill they sit on the face, say,of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
One doesn't read Jane Austen; one re-reads Jane Austen.
Every time I read a Jane Austen novel, I feel like a bartender at the gates of heaven.
'Emma' is my favorite Jane Austen novel - one of my favorite novels period; a novel about intelligence outsmarting itself, about a complicated, nuanced, irresistible heroine who does everything wrong.
Look at Jane Austen. Her characters derive in a reasonably straight line from fairy tales.
Jane Austen we know never let two men converse alone in any novel because what they said would be unknown to her.
Every housemaid expects at least once a week as much excitement as would have lasted a Jane Austen heroine throughout a whole novel.
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