A Quote by Leslie Fiedler

Faulkner sat in our living room and read from Light in August. That was incredible. — © Leslie Fiedler
Faulkner sat in our living room and read from Light in August. That was incredible.
I seldom read on beaches or in gardens. You can't read by two lights at once, the light of day and the light of the book. You should read by electric light, the room in shadow, and only the page lit up.
When I was young, I was a passionate reader of Sartre. I've read the American novelists, in particular the lost generation - Faulkner, Hemingway, Fitzgerald, Dos Passos - especially Faulkner. Of the authors I read when I was young, he is one of the few who still means a lot to me.
nothing happens in August - except when something really happens in August. World War I began in August, Saddam Hussein's invasion of Kuwait began in August, al Qaida was preparing to bring down the World Trade Center in August. August, in other words, is the time when all of us should prepare our backup plans, chart our reversals of course, [and] think through possible paradigm changes.
My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner.
Ever since we crawled out of that primordial slime, that's been our unifying cry: "More light." Sunlight. Torchlight. Candlight. Neon. Incandescent. Lights that banish the darkness from our caves, to illuminate our roads, the insides of our refrigerators. Big floods for the night games at Soldier's field. Little tiny flashlight for those books we read under the covers when we're supposed to be asleep. Light is more than watts and footcandles. Light is metaphor... Light is knowledge. Light is life. Light is light.
It doesn't matter how long we may have been stuck in a sense of our limitations. If we go into a darkened room and turn on the light, it doesn't matter if the room has been dark for a day, a week, or ten thousand years - we turn on the light and it is illuminated. Once we control our capacity for love and happiness, the light has been turned on.
There was one television in the living room, and we all sat around on Sundays and watched Ed Sullivan.
When I was young, my parents had a library in our living room. I was always free to browse and read.
Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.'
This evening, I sat by an open window and read till the light was gone and the book was no more than a part of the darkness.
A lot of people say two-a-days is the time to get them tough. It's over by then. You better not be getting tough in August. Our whole philosophy in August is to get ready for the first game. June and July are to get ready for August. Our whole goal in the middle of February is to develop toughness.
The light has gone out of our lives... Yet I am wrong, for the light that shone in this country was no ordinary light... and a thousand years later that light will still be seen in this country and the world will see it... For that light represented the living truth.
I read somewhere that if you translated all the gadgets and technology in our houses to make our lives easier and save time, each of us would have the equivalent of 300 slaves, in Roman times. We have these incredible luxuries, incredible power and privileges, but we seem to be squandering them on little plastic spoons to stir our coffee with, that'll last two seconds in our lives.
My husband is Dutch, and his family, when you sat down to eat food at the table, you never left the table until you ate living bread and drank living water. They never left the table until they'd read Scripture together. So morning, lunch, suppertime, Scripture was always read at the table, and then there was prayer to close.
It's very hard to be a screenwriter. I remember getting a couple of awards. I got a PEN West award a million years ago when I did Running on Empty, and I sat in the room with all these writers. They wrote everything from novels to non-fiction to children's books to journalism - any kind of writing - and I realized that there was no one in the room who would ever read anything I'd written.
The whole cast of 'Company' was invited to Hal Prince's house. This is one of the highlights of my life. We all sat in the living room. Sitting on the floor, I was right by the piano.
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