A Quote by Leslie Jordan

I'm one of the most popular cabaret performers, and I don't sing a note. And nobody expects me to sing. — © Leslie Jordan
I'm one of the most popular cabaret performers, and I don't sing a note. And nobody expects me to sing.
I can't sing, like, I can't saaang. I'm no Luther! That to me is singing. Being able to hit a note doesn't mean you can sing.
Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
I didn't know why I couldn't sing - all I knew was that it was muscular or mechanical. Then, when I was diagnosed with Parkinson's, I was finally given the reason. I now understand that no one can sing with Parkinson's disease. No matter how hard you try. And in my case, I can't sing a note.
Even if you can't sing well, sing. Sing to yourself. Sing in the privacy of your home. But sing.
I don't sing professionally; I sing because people who make my films want me to sing. So, as long as they want me to croon in the film, I will sing.
I would sing at home. I would sing in the car with my dad, but whenever he tried to make me sing in church, I was like, 'Nah, I'm not doing that.' I didn't want to sing in front of all these people.
Sing with me, sing for the years. Sing for the laughter'n sing for the tears.
Once-ler! You're making such smogulous smoke - my poor swomee swans, why they can't sing a note! No one can sing who has smog in his throat.
Sing to me," she said. "That would be valiant, to raise your voice in this dark, lonely place, and it will be useful as well. Sing to me, sing loudly-drown out my dreams, keep me from remembering whatever wants me to remember it. Sing to me, my lord prince, if it please you. It may not seem a hero's task, but I would be glad of it.
Someone once asked me why people sing. I answered that they sing for many of the same reasons the birds sing. They sing for a mate, to claim their territory, or simply to give voice to the delight of being alive in the midst of a beautiful day. Perhaps more than the birds do, humans hold a grudge. They sing to complain of how grievously they have been wronged, and how to avoid it in the future. They sing to help themselves execute a job of work. They sing so the subsequent generations won’t forget what the current generation endured, or dreamed, or delighted in.
What I was interested in was conveying an emotional message, which means using everything you've got inside you sometimes to barely make a note, or if you have to strain to sing, you sing.
Most performers don't get a chance to sing in Los Angeles.
Because, in opera, I have to sing for people that are very far from me, instead of, when I sing a song, I try to imagine to sing like in an ear of a child.
It was really difficult to sing; nobody showed me how to do it. I remember early Screaming Trees shows in the '80s when I'd walk away with a pounding headache from trying to sing way out of my range.
I wrote all the lyrics on 'Good Vibrations' and most of them in 'Kokomo.' 'Kokomo' was extremely popular and fun to sing - it's probably one of the bigger sing-along songs in our show. But then 'Help Me Rhonda,' 'Surfin' USA' and 'California Girls' and 'I Get Around' and 'Fun, Fun, Fun' are great songs as well.
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