A Quote by Leslie Mann

There's nothing in [The Other Woman] movie that feels like an R to us. — © Leslie Mann
There's nothing in [The Other Woman] movie that feels like an R to us.
I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.
I feel so grateful when I see a movie and there's a woman who looks somewhat like me. I'm like, 'Thank you, Samantha Morton!' You know, a woman who feels like a human being. That means so much to me.
I loved 'Weekend,' and it meant a lot to me when I saw it in the movie theater. I think 'Looking' feels more like that movie than any of those other shows, with a little more comedy thrown in than 'Weekend.' But it's certainly got the vibe and look and feeling of that movie.
The man who feels like he's a woman trapped in a man's body, when he goes into the ladies room, it's the other women whose privacy it seems to me as being violated by having this man walk in... regardless of how he feels.
'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.
I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.
Women like other women fine. The more feminine she is, the more comfortable a woman feels with her own sex. It is only the occasional and therefore noticeable adventuress who refuses to make friends with us.
Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.
A woman opening a movie with no other star is like a miracle.
It feels like we have two threads running through our lives: one pulling us into the world to achieve, the other pulling us back to replenish us. These threads can seem at odds, but really, they enforce each other. It's not a trade-off between success and sleep.
It always just feels good going back home. It feels like nothing has changed. Seeing my room, the views. It, like, grounds you.
This never gets old, and when it does, I'll go do a movie. I like the fact that I can get into other projects because everything feels fresh when I come back to music.
Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'
What I loved about [The Other Woman] movie was the same thing. It was three women who would never have come together for any other reason except that they had something in common which was this common cause, and that's really the feeling that I wanted this movie to have. It was a huge influence for it.
People always ask us, 'When are you guys gonna do a movie? When are you gonna do a TV show?' And to me, that feels like such a step backwards from where are.
If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.
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