A Quote by Leslie Mann

I'm not really interested in doing a traditional romantic comedy where everything ties up neatly. — © Leslie Mann
I'm not really interested in doing a traditional romantic comedy where everything ties up neatly.
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.
I am not considering shifting my image from action to comedy or romantic comedy. I have done or am doing films which are action-oriented: comedy roles and romantic-comedy roles.
I want to do a romantic comedy. Like a 'When Harry Met Sally' romantic comedy... A really sweet, show-my-vulnerability kind of role.
I think sadness and anger are really fertile ground for comedy. No one is really interested in a happy person doing comedy.
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like 'Roman Holiday' or 'My Fair Lady.'
I would like to do a romantic comedy, but not a romantic comedy that is cheesy. I want to do an old romantic comedy like Roman Holiday or My Fair Lady.
Everyone says comedy is really hard, but with 'The Office' the naturalism was everything so it didn't feel like doing comedy; it just felt like doing a really offensive character who thought he was funny.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
Even actresses that you really admire, like Reese Witherspoon, you think, 'Another romantic comedy?' You see her in something like 'Walk the Line' and think, 'God, you're so great!' And then you think, 'Why is she doing these stupid romantic comedies?' But of course, it's for money and status.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
I knew after 'Sarah Marshall' that my favorite genre is romantic comedy. Nothing is more satisfying than a great romantic comedy.
Usually comedy is only available to us ladies in the romantic comedy. That's why I hate romantic comedies.
I love romantic comedy, but I think you have to have another idea that you're chasing along with romantic comedy.
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