A Quote by Leslie Marmon Silko

He made a story for all of them, a story to give them strength. The words of the story poured out of his mouth as if they had substance, pebbles and stone extending to hold the corporal up...knees from buckling...hands from letting go of the blanket.
He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.
The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.
Last year I picked up the New York Times and there was a story about a kid from Dartmouth who was bragging that he never left his room, and made dates and ordered pizza with his computer. The piece de resistance of this story was that he had two roommates, and he was proud of the fact that he only talked to them by computer.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
A story does that: it will reach out and hook somebody and hold them for just a few moments while you unpack this story in their presence.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
My hope is that when people read my story, it will inspire them to reach for their goals and not give up. The real story is this: if I can do it, you can too.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
I wrote The Jesus Storybook Bible because I wanted children to know the Bible isn't mainly about you and what you're supposed to be doing. It's about God and what he has done. It's the story of how God loves his children and comes to rescue them. It's a Love Story. It's an Adventure Story. And at the center of the story is a baby - the child upon whom everything would depend. And every single story in the Bible whispers his name.
What I've learned is, if I have to go out and speak, the best way to get people's attention is to tell them a story, tell them a story that came from my corazón.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
Oh,Sara. It is like a story." "It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story.
The task is not primarily to have a story, but to penetrate the story, to discard the elements of it that are merely shell, or husk, that give apparent form to the story, but actually obscure the essence. In other words, the problem is to transcend the givens of a narrative.
Find the story, Granny Weatherwax always said. She believed that the world was full of story shapes. If you let them, they controlled you. But if you studied them, if you found out about them... you could use them, you could change them.
Nothing was ever handed to me. My hope is that when people read my story, it will inspire them to reach for their goals and not give up. The real story is this: if I can do it, you can, too.
There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.
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