A Quote by Leslie Marmon Silko

Writing can't change the world overnight, but writing may have an enormous effect over time, over the long haul. — © Leslie Marmon Silko
Writing can't change the world overnight, but writing may have an enormous effect over time, over the long haul.
Writing cant change the world overnight, but writing may have an enormous effect over time, over the long haul.
The process of re-writing and writing and re-writing means that you may have a brilliant phrase, but over time it distills and distorts and changes.
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
It can be dismaying, all the same, for a novelist to compare the slowness of the writing with the speed of the reading. Novels are read in a matter of days, even hours. A writer may labor for weeks over a particular passage that will have its effect on a reader for an instant - and that effect may be subliminal or barely noticed.
I don't really know the person who wrote the things I wrote. I kind of know him, but I change so much all the time that it's like I start fresh over and over and over and over. Writing-wise and life-wise.
It took time to learn that the hard thing about writing is to let the story write itself, while one sits at the typewriter and does as little thinking as possible. It happened over and over again, and the beginner learned - when you start puzzling over an idea, and slowing down on the keys, the writing gets worse and worse.
I've got to keep on writing. That's non-negotiable. At the same time, one has to look at the world and recognise that writing is not the only thing to be done - I want to have an effect on the world.
Once I start writing, I am a huge reviser. To me writing is revising. I probably turn over every sentence that I write, to see if I have the rhythm right. That's why my first drafts take a really long time.
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.
I wish I had time to do more reading, but I just haven't had much time. But I still find time for writing. I've always preferred writing over reading, even though those things do go hand in hand. But when I do have time, even if it's not writing music, just writing in general - ideas and stories and things like that.
I think there is an enormous diference between speaking and writing. One rereads what one writes. But one might read it slowly or quickly. In other words, you do not know how long you will have to spend deliberating over a sentence. ... But if I listen to a tape recorder, the listening time is determined by the speed at which the tape turns and not by my own needs.
Within the small crew of people who hold the media's many 'NeverTrump' positions, the Ethics and Public Policy Center's Pete Wehner doesn't get enough credit for writing the same thing over and over and over and over and over again.
Henry James joyously engaged in the act of writing. A good day's writing gave him a sense of strength, of control over chaos, a victory of order and clarity over the confused battle of existence.
In my mind, only one inviolable precept exists in terms of being a successful writer: you have to write. The unspoken sub-laws of that one precept are: to write, you must start writing and then finish writing. And then, most likely, start writing all over again because this writing "thing" is one long and endless ride on a really weird (but pretty awesome) carousel. Cue the calliope music.
The walls are covered -crammed- with writing. No. Not writing. They are covered with a single four-letter word that has been inscribed over and over, on every available surface. Love.
When you're writing, it's so absorbing. It's like a drop cloth goes over you, and the world outside falls away, but you do have a miniature version of the world, your own world, that you actually have some control over. I love to work.
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