A Quote by Leslie Nielsen
I had always functioned with dignity, wanting to appear intelligent, macho, never vulnerable or insecure. But now I realize that... a part of these comic characters is a fundamental part of me too.
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I personally have always hated dating. I was never vulnerable or insecure in any part of my life, but I would become that way with a guy because they have control, according to society, when it comes to dating.
As soon as you step into the water, you are part of the food chain; you're part of the wilderness. That's why I like solo sailing. You can be macho, but at least you can be macho on your own.
A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place.
I've had two lives. The golfing part... the younger generation sort of heard about me but maybe didn't realize I wasn't too bad at times. Then the announcing part.
Hinduism especially - in the absence of codified rituals or a book of rules to circumscribe it - has always functioned as part philosophy, part mythology, leaving it open to competing and contradictory interpretations.
But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them.
Competitive feeling means you want do do good work. You can't lie about wanting to be on top. There is no reason for me to be insecure at this time. I would be insecure if I was sitting at home doing nothing, but I am in films now, and that's where I always wanted to be.
I grew up always wanting to be a part of 'Idol,' and I never thought I would make it as far as I did. I was really lucky, and it's given me the opportunities that I have now.
I realize now that I've hoped to be great - as an actress, as a mother - because I want to embody the greatness of women who didn't get to be all they could have been. Their dignity, their courage, and their brilliance make me strive to be better. They're a part of me.
I've never been to Comic-Con, but I'm certainly aware from this side of the Atlantic that it's a very important part of film marketing now, even when the films are not directly linked to a comic.
For me, a big part of anxiety and depression was not knowing how to say 'no' and wanting to please too many people... part of this process is learning to draw the line and slow down.
I'm trying to tell men, 'Really show yourself. Do not be macho, because the biggest turnoff for a woman is a macho guy because women, they're very sensitive. They know you're macho because you're insecure.'
I was making films about American society, and it is true that I never felt at home there, except perhaps when my wife and I lived on a farm in the San Fernando Valley. But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them
Monks, we who look at the whole and not just the part, know that we too are systems of interdependence, of feelings, perceptions, thoughts, and consciousness all interconnected. Investigating in this way, we come to realize that there is no me or mine in any one part, just as a sound does not belong to any one part of the lute.
I found with poetry that I couldn't keep it up. I was too vulnerable. Maybe I was too aware of the audience. And I had impossibly high standards that I could never approach. So there was always a sense of being a failure, and of being vulnerable.
All the evidence of history suggests that man is indeed a rational animal, but with a near infinite capacity for folly. . . . He draws blueprints for Utopia, but never quite gets it built. In the end he plugs away obstinately with the only building material really ever at hand--his own part comic, part tragic, part cussed, but part glorious nature.
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