A Quote by Leslie Nielsen

In those days, I auditioned for everything MGM made while I was under contract. Not for the roles Elizabeth Taylor eventually got, of course. — © Leslie Nielsen
In those days, I auditioned for everything MGM made while I was under contract. Not for the roles Elizabeth Taylor eventually got, of course.
Elizabeth Taylor is one of the great cultural icons. She is a part of our history and should be celebrated.… This presentation is very special for the community, there are so many people who want to understand this side of Elizabeth Taylor.
I was in a ballet company, and I auditioned for Bob Alton, a top choreographer at MGM. He sent me to see Arthur Freed, who offered me a seven-year contract.
To me, true style icons have been few and far between. Elizabeth Taylor comes to mind. I never got to meet her while she was alive, but she is one of those people I have always admired in terms of her sense of style.
I've had the good fortune of working with some amazing people. I mean, my first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
My first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
If you ever hear anybody refer to Elizabeth Taylor as Liz Taylor, you can be pretty sure the person doesn’t know her.
Elizabeth Taylor is, in my opinion, the greatest actress in film history. She instinctively understands the camera and its nonverbal intimacies. Opening her violet eyes, she takes us into the liquid realm of emotion, which she inhabits by Pisces intuition. Richard Burton said that Taylor showed him how to act for the camera. Economy and understatement are essential. At her best, Elizabeth Taylor simply is. An electric, erotic charge vibrates the space between her face and the lens. It is an extra-sensory, pagan phenomenon.
You can be revered for all sorts of qualities, but to be truly charismatic is rare. Elizabeth Taylor was, for me, one of those rarities.
When I was 9, I auditioned for an arts school in Toronto with a few of my friends. The sole reason we auditioned was that we found out you got to miss a couple days of school to do the audition. Without actually wanting to go to arts school, I accidentally got in. My parents encouraged me to try it, and I ended falling in love with performing.
I've been fortunate that the roles I've auditioned for, I auditioned because I felt I was the right actor to play that part.
I am lucky I got roles where I worked for just seven days and made equal impact with the hero who worked for 70 days.
I was doing catalog work for a while at 14 and eventually, it was one of those days I was just moving around New York City and I got stopped by an MTV scout and I ended up doing a Jennifer Lopez look-a-like contest and I won that.
I was just a beginner, and she and I were not in any manner alike, but we got along very well because I was in awe of going to school with Elizabeth Taylor.
When I was in Middle of The Night, MGM came and offered me a contract and I said that when I got out of the play, I'd like to try it. I didn't know anything about making movies but I was certainly finding it interesting.
I remember a meeting I had at MGM. It was at the end of their reign. They say we have you under contract, and because you’re under contract, we’d like to you to work. I said, well, that seems fair. But if it’s a really good movie, they were going to give it to a particular actor that was not under contract. The bottom line was they were going to pay you more if it was a bad one and pay you less if it was a good one.
I've always loved big eyes, like those of Audrey Hepburn and Elizabeth Taylor. But my mother didn't allow me to wear make-up until I was 15.
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