A Quote by Leslie Odom, Jr.

I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show. — © Leslie Odom, Jr.
I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show.
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
My first Broadway show wasn't until I was a freshman in high school. It was my first trip to New York. I came with a group of theatre kids, and we saw four shows. The very first one was 'Contact.'
My grandparents actually, whenever they got the chance, took me to Broadway, but that started when I was in high school, because that's when I realized... At the very beginning of high school, I realized, 'Oh my gosh. Okay, this is a career choice for me.' So yeah, then they always brought me to New York to see Broadway shows whenever they could.
When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I went to grad school in San Francisco, and then left for New York City with my eye on Broadway. I had saved $5000, which seemed like a lot of money in my mind... until I realized it was going to take $2500 to get to New York and then the first and last month's rent.
I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
My parents were really, really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12, I did this show on Broadway called 'High Society,' so we moved to New York for the run of that.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
Its all big money, high rent, high prices in New York City now. The poor people completely got rolled over. I've never seen anything like it in my life. It's disgusting.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
I did my New York debut at 21. It was 'On the Town' at the George Gershwin Theatre. New York is my artistic home.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
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