A Quote by Leslie Odom, Jr.
There was a lot of the 'Hamilton' experience that was like a locomotive. It was a hurricane, so the apartment often looked like a hurricane. There were clothes and shoes all over. We were getting more things in than we had room for. We had to figure out how to make space for all the blessings and goodness coming toward us.
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I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
And last, my mom. I don’t think you know what you did. You had my brother when you were 18 years old. Three years later, I came out. The odds were stacked against us. Single parent with two boys by the time you were 21 years old. Everybody told us we weren’t supposed to be here. We went from apartment to apartment by ourselves. One of the best memories I had was when we moved into our first apartment, no bed, no furniture and we just sat in the living room and just hugged each other. We thought we made it.
I've been through so much, especially coming from New Orleans where there was Hurricane Katrina in 2005. I had to pick up. We had to move, make new friends, and I think my family was just strong for me as well because we had to start completely over again.
I had this thesis that we had entered the experience economy. People were getting married later and starting to value experiences like travel over owning things.
As a survivor of Hurricane Katrina, I understood all too well the despair my colleagues - Republican and Democrat alike - were feeling as Hurricane Sandy ravaged their communities.
Growing up in the 80's, I think a lot of us saw things that were "new," an experience we don't get too much of these days. We saw things that were never done before. When Star Wars first came out, no movie before that had ever looked that way.
I do a lot of work with the Red Cross, too. As a reporter, before I went to entertainment news, I tended to follow natural disasters. I went to Charleston, South Carolina, after Hurricane Hugo. I went to Miami the year after they were recovering from Hurricane Andrew. I came to California when they were recovering from a big earthquake. I've seen the Red Cross and how they stay there years after a natural disaster. They're not just there when a disaster is happening.
And one of the things I want to say, Wolf, is we're 100 days from hurricane season, and we've got to start focusing on what we're going to do to make ourselves ready for the next hurricane.
As soon as I moved to New York, I experienced Hurricane Irene and then Hurricane Sandy hit me in quite a big way. I had 12 days without any electricity or any water. The thing that I realized the most from it was that we've become so dependent on technology. There's so much accessibility to information that suddenly when everything is cut off, you're completely lost, and you start asking deeper and more profound questions - how short life is, and how grateful we should be for things.
Before Hurricane Katrina, I always felt like I could come back home. And home was a real place, and also it had this mythical weight for me. Because of the way that Hurricane Katrina ripped everything away, it cast that idea in doubt.
People are always asking me about the '60s, like I should be some sort of expert. It's like being in the middle of a hurricane, you can't describe it till it's over. Creativity was allowed to blossom, we were all allowed this marvelous freedom, there was money to do things.
There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.
We didn't have an awful lot of space. There were six of us born within the space of seven or eight years - I was third. I remember sharing a room with one or other of my brothers - at one point we had three single beds in one room.
The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.
When I moved out, my mom and dad came to help me get settled into my apartment - a place I ultimately got hooked up with in Coach Nelson's building. We had to figure out how to get all my shoes over here. That was a little stressful.
It daunted me that you were so beautiful, that you were so at ease in social situations, as if every room was heliotropic, with you at the center. And I guess it daunted you that I had so many more friends than you, that I could put my words together like this, on paper, and could sometimes conjure a certain sense out of things. The key is to never recognize these imbalances. To not let the dauntingness daunt us.
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