A Quote by Leslie Odom, Jr.

I kind of think we sort of subconsciously draw things into our lives, whatever we're trying to work through. — © Leslie Odom, Jr.
I kind of think we sort of subconsciously draw things into our lives, whatever we're trying to work through.
That's what we're all sort of trying to do in our lives - to make the simplest things work out the best.
There's not democracy in the workplace. I mean, through most of our daily lives, the idea of democracy is fairly nonexistent. And I think things work better when the people who have to work with whatever it is we're working with have a say in how it's working.
By softening our attitudes, practicing mercy and compassion, we transform our lives by transforming other people's experience of us. Send love before you when you enter a room, and people will subconsciously feel it; they'll be prone to show greater kindness in return. That's how love makes things work better in our lives; it realigns the reactions of people and things around us.
I was always trying to do different things to entertain people. And at the same time, I think, I was, whether subconsciously or not, trying to get kicked out of school because I hated it so much.
I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
Working with the kind of talent that I've gotten to work with, like the cast of Sin City, it makes me think probably more fully dimensionally about what is going on behind their eyes. But I draw the way I draw, and ain't nothing gonna change that. Although, I draw Marv and I think, "Boy, I could throw a little Mickey [Rourke] in there."
Cynicism is kind of like folding your arms and stepping back and commenting on things, like the old guys in 'The Muppets,' just throwing out comments all the time, whereas there are other people on the ground really trying to affect things and improve their lives and the lives of other people. I think it's noble and I think it's cool.
We all faced painful ethical challenges before we even knew how to spell our names. There were tough choices. Tradeoffs. Confusing signals regarding how to live one's life. And here we are now, today, still struggling. Still trying to sort things out. Still trying to work our way through life effectively. About the only thing that has changed is the scope of the problem. There's more at stake now. And we're in a position, as grownups, to do a lot more-good or bad-for ourselves, our organization, our world. But we still must wrestle with our imperfect ethics.
Peace is not just the absence of war, it is the active presence of a capacity for love and compassion, and reciprocity. It is an awareness that our lives are not to be lived simply for ourselves through expressing our individuality, but we confirm the purpose of our lives through the work of expressing our shared sense of community in a purposeful and practical way; to sustain our own lives we sustain the lives of others - in family, in a community of neighborhoods called a city, and in a community of nations called the world.
I've always appreciated people like Graham Parker or Loudon Wainwright III, who spend their entire lives writing songs and working their asses off just to have complete artistic freedom. They're just sharing their lives with you through their music. That's the same kind of work that I'm trying to do, in my own weird way.
When I was a kid, I suppose I got more praise for being able to draw things and paint things than I did for my little amateur poems I was writing. But the thing that I'm trying to do with my painting is that I'm trying to keep it in the realm of pleasure. I don't show my work, I don't try to sell it.
The Jews started it all-and by 'it' I mean so many of the things we care about, the underlying values that make all of us, Jew and Gentile, believer and aethiest, tick. Without the Jews, we would see the world through different eyes, hear with different ears, even feel with different feelings ... we would think with a different mind, interpret all our experience differently, draw different conclusions from the things that befall us. And we would set a different course for our lives.
Whatever it is that we put in our hearts and minds, whatever seed you plant in it, it will grow. We might not know it but subconsciously, in one way or another, it can affect us.
It's our responsibility to cater to the needs of people who come and enjoy our work who have the same values we do. We're not trying to change the world. We're just sort of trying to deal with our specific lens of performance.
We give 10 percent of our income to our church every year. Do you think that is the kind of person who is trying to hide things, or do things?
We've sweated and torn out our hair trying to reconstruct our chosen lives, to fashion them like literary sculptures, at once monumental and yet human. We've applied all of our intelligence, our empathy, our critical faculties, our compassion - and we think, in our delusion, that it's still 1960, and our work is going to get noticed.
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