A Quote by Leslie Stephen

The English literary movement at the end of the 18th century was obviously due in great part, if not mainly, to the renewed practice of walking. — © Leslie Stephen
The English literary movement at the end of the 18th century was obviously due in great part, if not mainly, to the renewed practice of walking.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
It would be exciting to take part in what we now call the Enlightenment at the end of the 18th century, but with modern dentistry.
There's such a wealth of literature from the 18th century and 19th century, George Eliot... Jane Austen... that's all about a genteel high society, relationships, all of that stuff. There wasn't ever really, apart from Dickens, a literary evocation of working class life.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
If you go to old houses on Long Island you will see painted Chinese wallpaper, which was big in the 18th century. Throughout history, notable, established families have always tried to link to the 18th century.
The good news is that there is strong movement in this direction of shifting from domination systems to partnership systems. Over the past several hundred years, one progressive movement after another has challenged traditions of domination - from the 18th century "rights of man" movement challenging the "divinely ordained right" of kings to rule their "subjects" to today's environmental movement challenging the once hallowed "conquest of nature."
German writers in the late 18th century were the first to uphold a prickly, literary nationalism, in reaction to the then dominance and prestige of French literature.
It's important to remember that the Jacobite Risings of the 18th century constituted a religious civil war, not a nationalistic movement.
Anonymous sources are a practice of American journalism in the 20th and 21st century, a relatively recent practice. The literary tradition of anonymity goes back to the Bible.
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
Looking at paintings was a huge part of finding my way into the lush world of the 18th century.
In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English.
I try to find a style that matches the book. In the Baroque Cycle, I got infected with the prose style of the late 17th and early 18th centuries, which is my favorite era. It's recent enough that it is easy to read - easier than Elizabethan English - but it's pre-Victorian and so doesn't have the pomposity that is often a problem with 19th-century English prose. It is earthy and direct and frequently hilarious.
My English is closer to the literary English, and I'm not very familiar with jokes in English or with, you know, with small talk in English.
In the late 19th century, the Populists - a protest movement of mainly disaffected farmers and workers - threatened to overturn established authority.
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