A Quote by Leslie West

You have to be talented and you have to be lucky. Record companies are not signing classic rock groups anymore. — © Leslie West
You have to be talented and you have to be lucky. Record companies are not signing classic rock groups anymore.
The record companies are interested in the kind of sales they can get from the rock groups.
I wanna write a classic metal record, a classic rock record, in 2013.
Albums aren't even selling anymore and there's a reason for that. Record companies are just signing single and ring tone deals and it doesn't seem like they're focusing on albums.
I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
I went from being a kid-kid, listen to everything from The Beatles through Kiss, Peter Frampton, Jethro Tull classic rock, classic stuff into immediately, it seemed like, Iron Maiden and stuff like that. The first Iron Maiden record and then, obviously, the first Metallica record.
My big brother listened to classic rock, and I grew up listening to a classic rock station called KSHE.
It's funny: here I am, a guy who plays in one of the world's biggest classic-rock bands, and to tell you the truth, I listen to classic rock the least.
Unfortunately, you don't get artist development anymore. Record companies have become a huge corporate thing. It used to be you'd meet someone [in the business] and they'd have a little history of music. Some people in the companies now don't even like music. It's just a job. So I miss the days when someone would go out on a limb and pick a band that was different. I just don't see that anymore. It's the same with the film industry.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
I left the entertainment industry part of my life behind in 1983, when we decided not to work with major record companies anymore.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative. So whatever. I listen to all if it. Classic rock and classic pop, all of that.
With 'Elect the Dead,' I learned how to make a rock record without a rock band and make the rock record I've always wanted to make.
I have always maintained that paradigm shift away from signing Rock and Metal acts is part of the decline in sales the major labels have talked about for years. I mean, to me, that should be so obvious. For decades, literally, as long as Rock N' Roll has existed, a large swath of major label income came from Rock, and later, Metal bands. So if you essentially stop signing the thing that brought in a significant portion of your income, how are you confused when you don't sell as much? It's like cutting off your nose to spite your face. I still don't get it.
People don't really buy records anymore, so record companies won't invest in bands like us. They want cookie-cutter acts.
I'm working on a proper rock record, a good, old-school rock record. Finally.
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