A Quote by Leslie What

It was like hiking into a Hemingway story; everything was sepia-toned and bristling with subtext. — © Leslie What
It was like hiking into a Hemingway story; everything was sepia-toned and bristling with subtext.

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Hemingway's short story 'Hills Like White Elephants' is a classic of its kind. It illustrates Hemingway's 'iceberg theory,' which requires that a story find its effectiveness by hiding more than it reveals.
From a distance, at a time of urbanization and connectivity, rodeo and ranching may seem anachronistic notions - quaint and sepia-toned from an America that no longer exists.
I am obsessed with story. I had a late awakening in life. In college was the first time that I understood what you could do with a story and what a good novel is - literary value and subtext and irony and everything.
I think the benefit of being a writer is that I'm looking for the subtext on the page, because all good writing has subtext. And as a writer, you look at the big scope of things, the big story, rather than just your individual story line, because I think it's important to know what you're in and how you fit into it.
I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.
Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.
Shakespeare doesn't really write subtext, you play the subtext.
When I admire a writer, it's for the recognizable palette - Hemingway's minimalism, the dialogue, those isolated bar scenes. But with each story or novel, he shows me something different within the framework he's built - like noticing that there's a chair in the corner I didn't see in another story.
Oh,Sara. It is like a story." "It is a story...everything is a story. You are a story-I am a story. Miss Minchin is a story.
Sounding like a toned-down Sufjan Stevens - or an even more toned-down Arcade Fire - Seabear's quiet execution gives its music a breezy quality. It's a sonically lush whisper, sharing secrets with anyone curious enough to listen.
You can't shoot in sepia, so converting into black and white and then into brown makes everything feel less real.
I read some older books when I worked at Barnes And Noble, like some of the American classics. I read a lot of Hemingway. I fell in love with Hemingway's prose and with the way he wrote. I feel like he's talking to me, like we're in a bar and he's not trying to jazz it up and sound smart, he's just being him.
'Ocean's Kingdom' is a fairy story with no subtext, no resonance - it's not about anything except its water-logged plot.
Once, in an interview with 'V' magazine, I said that I preferred Fitzgerald to Hemingway. I think that Hemingway is an amazing writer, but by being related to him, I had it in my head that I had to like him.
Each of us chooses the tone for telling his or her own story. I would like to choose the durable clarity of a platinum print, but nothing in my destiny possesses the luminosity. I live among diffuse shadings, veiled mysteries, uncertainties; the tone of telling my life is closer to that of a portrait in sepia.
Hemingway was a big influence - 'A Farewell to Arms,' though I disapproved of the later Hemingway.
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