A Quote by Lester Bangs

I don't see that there are any particular changes in popular music. — © Lester Bangs
I don't see that there are any particular changes in popular music.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
My particular space has always been quite unique in popular music. I have a background in R&B and hard rock and straight pop, but I never went all the way with any of those genres.
I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.
It's emotion. When you are watching a movie you see a woman sitting with her daughter and looking in her eyes and you see butterflies flying in the background and then you suddenly hear scary movie music and it changes the whole thing. But if something sounds different it changes the movie. Music is the back drop of what you talk about.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.
Pop just means popular - it can be any genre, and if it becomes popular, then it's pop music.
I don't know if it's one particular thing that really made me popular, but I always say my music, it worked really well for me. A lot of people like my music.
Philosophical progress changes what we take to be "intuitively" obvious, and this change covers up the tracks of the laborious arguments that preceded the changes. We don't see these changes, because we see with them.
Popular music has always been rooted in the blues, whether it's Adele or Led Zeppelin or Sam Cooke. It's just the beat that changes.
Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.
The best thing about being immensely wealthy is not having to be in any particular place at any particular time doing a particular task you don't want to do.
When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
But, yeah, as far as Asian Americans go, I hope they know they can look at me and see that they can do music on their own, within a band or just on their own, and not feel like there's any barriers. I've never felt any particular barriers myself, being who I am.
I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.
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