A Quote by Lester Bowie
You know when I was younger I used to look at Downbeat Magazine and I figured anybody in Downbeat must be making a living.
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I want no part of making any contribution whatsoever to the despair which eventually follows downbeat thinking.
Space music'd be really something... but they don't have no gravity up there. You couldn't have no downbeat!
Subtle, funny and touching, with a striking downbeat authenticity. Director Craig Zobel is the real thing.
A lot of cops in fiction are very depressive and are kind of downbeat, and they've got all kinds of existential angst that they're dealing with.
I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.
My music wasn't written by Mozart, Beethoven, Bach or Schubert. It's written by God and me. They go "a one and a two and up." We start on the downbeat. Bam! And that's where we got them.
When television killed comedy and love stories, the movie makers went in slugging. They offered the downbeat, the degenerate as competition. This seems to me to be a sad campaign for Hollywood to use to combat box office disaster.
I keep telling the players to enjoy the good moments. There are too many moments in this world currently that are pretty miserable and downbeat, so if there is light at certain times, I want them to enjoy it.
If you put four different people on a podium conducting the same downbeat, you get four different sounds. It's a little mysterious and fascinating. There's so much you can do with motions and body movements besides giving accurate beats.
There's always room to make stuff that is completely morose and downbeat, but we'd probably spiral into a state of complete despair if our music reflected the lyrics all the time. I think that's almost the fun game with some songs, is this complete tearing of two feelings at once.
Broadly speaking, there are two approaches to crime: the realistically detailed police procedural, usually grim and downbeat, and the more left-field, joyous theatre of ideas in which past masters once specialised. Knowing that I would never be able to handle the former, I set about reviving the latter.
Some of the downbeat pictures, in my opinion, should never be made at all. Most of them are made for personal satisfaction, to impress other actors who say "Oh, God! what a shot, what camera work!" But the average person in the audience, who bought his ticket to be entertained, doesn't see that at all. He comes out depressed.
When I was younger, I was always that person that loved to get stuck in. When my mum and grandma used to come and watch me, I used to make sure that I wouldn't let anybody push me around and not let anybody bully me.
I don't believe in having to show anybody anything. I just do my work. You know, making a living as an actor is such a rarity on earth. It's like making a living as a painter. So I look at different opportunities in the same way as Jack Nicholson, who said once, "Keep popping up in different holes. That's what you want to do: Just keep popping up in different holes." That made a lot of sense to me.
You look at, like, a 'People' magazine, which used to be a really good, you know, nice magazine you could go to for real stories. It wasn't like a 'Star' or an 'US Weekly' and they have somebody with plastic surgery on the cover, Heidi Montag. And it's obviously what consumers want, because why else would they be doing it?
I think [Hollywood] has achieved everything they’ve always dreamed of. The audience now seems to be very dumb. They pay money to watch the same film. Now, you could argue, that's because it makes them feel comfortable. When they go to a movie now, it's almost like hearing a pop song. You know the rhythms, you know when the downbeat is going to come, you know when the explosion is going to come… And so as life becomes more complex, as the economy is in trouble, people cling to what makes them comfortable, so they go again and again to see the same movie.
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