A Quote by Lester Holt

At the end of the day, I'm reading the news. I'm not digging ditches. I'm not fighting fires. It's a long day, and it's a lot of responsibility, and it can be a little bewildering sometimes with the schedule. But, you know, it's a job, and they pay me well to do a job.
Younger songwriters will ask me, 'What did you do?' And it's like, 'Well, I worked a day job, and I didn't stake anything. I didn't quit my day job. I didn't have any hopes at all. I just did the thing that I believed in, and I waited a long time.'
I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
I'd advise all you songwriters out there, if you're getting into it for the business, go home and get a job digging ditches or something. Get a life. You'll learn a lot more, and you won't write a lot of rotten poetry.
Well, putting words on paper isn't your job. Your job is to go digging around in your soul. And that's the end of it all. A songwriter's job is to go digging around in his soul. And come up with, and put to paper, what others can't express about the soul itself.
Well, the news is mostly about things that go wrong, right? It's about sensationalist incidents that happened today, instead of things that happen every day. So if you watch and follow a lot of the news, at the end of the day, you know exactly how the world is not working.
If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great.
Most people go to college to get a job, and here I am sitting in class with a job, making exponentially more than whoever's teaching me, you know what I'm saying? At the end of the day, I wanted to finish what I started, and make my mom proud. A lot of people put a lot of hard work and investment to allow me to go to school, and for me not to finish would have been like a slap in the face to my family and those people.
For me, the day job comes first. That's why I call myself a diplomat who writes, not a writer who masquerades as a diplomat. If the day job demands it, I won't write at all. I write in what I call 'the crevices of my day job', and that comes only on weekends.
In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
'Friends', even though it was the longest single job I've had, still to me at the end of the day, when it was over it was a job.
I had a Saturday job in a chemist. The pay was something ridiculous like £2 an hour - it was slave labour - and I spent all day cleaning shelves. On my first day an actress from Eldorado, which was on telly at the time, came in and said, 'Can I have some Replense please?' I didn't know what it was, so I had to ask her and she had to say, 'It's vaginal moisturiser,' in front of a massive queue of people. After one day I was like, 'I don't want to do this job any more, it's just boring.'
Lest it sound as if I resent my day job, I have to say that my day job is the reason I write, and it has been the best thing for me as a writer.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
I don't know how people do this job collaboratively if they don't really get along. You're spending all day every day for months and years on end with somebody.
To be on set every day with a whole bunch of people that know their job and my job a lot better than I do and I'm supposed to tell them what to do, that's very uncomfortable and awkward.
My job is not only to give medals, you know, which certainly is part of my function. First and foremost, though, my job is about ensuring success of the work in various spheres. It is a kind of day-to-day spadework.
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