A Quote by Letitia Baldrige
I talk about beepers going off in the middle of a concert and people being late and not apologizing, and people not RSVP-ing, and adult children going back to live with their parents, which we didn't have in the '60s and '70s.
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And that's the one thing that people do not understand is that we have very low interest rates and if those go back to historical levels or even go back to scary thoughts that they're back in the late '70s, early '80s, then that's going to really be hard to actually pay off those debts. It's going to be a - it's going to be a very big problem.
My mother was in the kind of late-'60s, early-'70s origins of female emancipation. And she was very much like, 'You're not going to be defined by how you look. It's going to be about who you are and what you do.'
Most of the people I talk to are not going to go off and live in a cave. Why should they? So I talk about how people can stop separating dharma practice - going on retreats, going to dharma centers, hearing talks, reading books - from their ordinary life.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
I'm interested in where I'm going and the people I am there to see. Going to Cuba was a great example of that, and the succession of going into Cuba, which is not a very easy place to get into, and playing music for people who have never seen a live rock concert outdoors like that.
When I go to small races in Denmark, it's what I imagined what F1 would have been like back in the 60s and 70s. After the 70s it became a bit different. But 50s and 60s at least, people were only there because they love it.
I think it's true about people now being closer to their parents, since the '60s, really. The parents are no longer from a different planet, the 1950s ideas of American family. We could be friends with our parents. After the '60s, it wasn't like a person smoking pot was what the parents would be appalled at.
I've always been on the outside of all that political stuff so I just sort of watch it and I'm appalled and I think people should be screaming about a lot of things right now and they're not. They're just letting everything happen. I don't know. At some point the wheels are going to come off and we're going to have a real problem. The people are going to get angry and it's going to be too late.
I'm not a big crime reader, but I'm reading Michael Connelly's 'The Reversal.' I'm going back to his novels. I'm also reading Keith Richards' 'Life.' I'm always fascinated by the transition from the innocent late '60s and early '70s and the youth culture becoming an industry.
I made a supreme effort not to do that thing that parents do, which is to bore people without children to death by going on and on about how funny their children are, so there's none of that hopefully.
The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself.
I'm going to continue to talk about what is important to the people of Connecticut which is jobs, getting people back to work, the economy.
Inherent in being proactive and trying things and not waiting to be told what to do is the fact that you're going to fail, you're going to make mistakes, and you're probably going to piss people off. And if you're not pissing people off, if you don't have haters, if you're not putting yourself in a situation that has some risks associated with it, you're probably not going to realize your full potential.
In the first batch of readers, back in the '60s and '70s, the criminal class was still literate, so I would get letters from people in prison; they thought that I was somebody whom they could shop-talk with, and they would tell me very funny stories. I got a lot of those. Guys who were going to wind up doing 10 to 15 for bank robbery, yes, were reading my books.
I think, at the end of the century we'll have a generation of parents and a generation of children who won't have had the deep satisfactions of being parents and being children in the way that they might have and are going to spend a lot of time fretting and worrying and being hovered over for nothing. The question isn't so much "What will happen in the long run?" but "What's happening to people's lives right now?"
People love to talk about how the '70s are the only time they made movies about characters, and adult movies, and complicated people. But in the '80s, they got away with some of those too.
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