A Quote by Letitia Baldrige
Doubleday is used to my talking about manners because I am, after all, known for that, and that's my persona.
Related Quotes
Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.
There's a thing that happens to Midwesterners - we spend a lot of time talking about having a different set of rules about manners. I don't know about ethics, but certainly about manners, what you would say and what you wouldn't say. And that is not very East coast.
I am disappointed because nobody is talking about food and agriculture. They're talking about the diets of children, but they're talking about Band-Aids. We're not seeing a vision.
There used to be an art form called the 'comedy of manners.' Why aren't comedies of manners made now in this country? The answer is simple. We no longer have manners to speak of.
I am not talking about you being a spectator, I am talking about involvement. I am talking about involving yourself into life in such a way that you dissolve into it.
When I'm not wearing makeup, when I'm not in front of the camera, I can be just Hrithik. I can sit with my watchman or with the spot boy and chat with him. I do that. Which is why I am able to differentiate between the person I am and the persona that is projected. It's not the person people are crazy about, it's the persona, it's the magic of the movies and you have to understand that.
Manners are of such great consequence to the novelist that any kind will do. Bad manners are better than no manners at all, and because we are losing our customary manners, we are probably overly conscious of them; this seems to be a condition that produces writers.
Why am I talking about all this? Who am I talking to? I send out these words, these thoughts, simply because it is time. Time for what, I do not know and it does not matter because it is what I want and that is always reason enough for me.
I used to live in a village, and I always loved listening to old people. Unfortunately, it was always women who were talking, because after the war, very few men were around. I spent my entire life living in the village. The village is always talking about itself; people are talking to each other as the village makes sense of itself.
I don't talk about films even after I sign them because between the signing and the shooting, anything can happen. I am not superstitious, it's just that I don't like talking about a film that is not completed.
Earlier, after coming back from the shooting, I used to chill out talking to her; now, after marriage, I am coming back and unwinding in Shalini's company.
Just because I am paying attention to politics and culture doesn't mean that I should be talking about the health-care bill, talking about the minutiae.
If you go on stage, or on TV, then there is an impetus that comes about to be a persona. A completely different character. But when you're someone like me, you don't want to have a persona. I want to be exactly who I am on stage.
You are born with a sound; everyone is, less or more. And this sound has to be developed. I am not talking about vocal technique; I am not talking about how to sing. I am talking about how to produce a sound.
I am not too much into political awareness, but I had known a lot about Indira Gandhi's strong persona. Obviously, she had a powerful personality and a lot of clarity and wisdom to rule India for so long.
We don't like to use the phrase "state security" in the United States because it reminds us of all the bad regimes. But it's a key concept, because when these officials are out on TV, they're not talking about what's good for you. They're not talking about what's good for business. They're not talking about what's good for society. They're talking about the protection and perpetuation of a national state system.
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