A Quote by Letitia Baldrige
The Kennedys tried to avoid using the big U-shaped table, but when they couldn't, they had several tricks - including keeping the flowers simple - to keep it from appearing overly stiff and formal.
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My mother always had flowers at home, they were always there. In the garden, on the table, fresh flowers. I think I relate flowers to the women in my life.
I've tried several varieties of sex. The conventional position makes me claustrophobic, and the others either give me a stiff neck or lockjaw.
I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
I often avoid using the terms 'figuration' and 'abstraction' because I've always tried to have it both ways. I want the experience of looking at one of my paintings to be similar to the process of making the painting - you go from the big picture to something very intense and detailed, and then back again.
Actually, I started throwing the stiff-arm in college. I had some big plays in college from the stiff-arm.
... I am more of an ambler. I once overheard my old boss in Dublin describe me as very "hello trees, hello flowers." It was intended as an insult and it fulfilled its brief; I was insulted. I had little interest in greeting trees and flowers but nor did I treat life as a treadmill, on which it was vital to keep fleeing forward in order to avoid being sucked off the back and out of the game.
Writing simply means no dependent clauses, no dangling things, no flashbacks, and keeping the subject near the predicate. We throw in as many fresh words we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it vital and alive.... Virtually every page is a cliffhanger--you've got to force them to turn it."~
I think there's something in common with the OSS 117 movies. The big difference is there's no irony in this one. It's not parody. I tried to make it very simple. It's a simple story, but to be simple, it's very complex in the way it's done.
Parla come magni,' It means, 'Speak the way you eat,' or in my personal translation: 'Say it like you eat it.' It's a reminder - when you're making a big deal out of explaining something, when you're searching for the right words - to keep your language as simple and direct as Roman rood. Don't make a big production out of it. Just lay it on the table.
Looking at flowers, simple things in life. I don't need to look at gold and a castle; sometimes its very simple things that are very beautiful. I am keeping my eyes fresh to find beauty in many places, and in gold, too, sometimes!
My work has never been about me, and I've never made a big deal about my race. I've actually tried hard to avoid ever making a big deal out of it and have, instead, simply tried to do good work that matters.
Can such stiff and formal moldings as words capture the spirit-essence of love?
I have always tried to write in a simple way, using down-to-earth and not abstract words.
I was most confusedly in love. ... Even though I resolved not to think of him, his face would keep appearing between me and a book I tried to read, or his voice would suddenly sound instead of the words I tried to write on a page. ... I found love annoying and uncomfortable, like fetters, until I got used to it.
Everywhere in the universe, the periodic table has the same basic structure. Even if an alien civilization's table weren't plotted out in the castle-with-turrets shape we humans favor, their spiral or pyramidal or whatever-shaped periodic table would naturally pause after 118 elements.
Several devices he has to draw souls to sin, and several plots he has to keep souls from all holy and heavenly services, and several stratagems he has to keep souls in a mourning, staggering, doubting and questioning condition. He has several devices to destroy the great and honorable, the wise and learned, the blind and ignorant, the rich and the poor, the real and the nominal Christians.
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