A Quote by Letitia Wright

I want people, no matter who they are to be inspired by 'Black Panther.' — © Letitia Wright
I want people, no matter who they are to be inspired by 'Black Panther.'
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
When they call you and say, 'So you want to play 'Black Panther?'' if you know what 'Black Panther' is, there's no way in the world you're going to say no because there's a lot of opportunity for magic to happen.
In 'Black Panther,' I tried to preserve virtually all versions and interpretations of 'Black Panther' - including the Jack Kirby one, which was really tough to do - and make it work within current continuity.
The 'Black Panther' series was never really about the Black Panther at all. The State Department guy, Everett K. Ross, was the series protagonist, so politics was simply a logical part of the character's tool set.
When I was younger, I had these romantic ideas about the Black Panther Party and what it meant to be a part of the civil rights movement. Then we're here, and it's dangerous. And it's dangerous to say, 'Black lives matter.'
'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.
The cool thing is, I was a little nervous about how they were going to handle Black Panther in his own movie, but then when I saw 'Civil War' and just the perfect way they handled him in that movie, it made me even more excited about a Black Panther film.
A black shadow dropped down into the circle. It was Bagheera the Black Panther, inky black all over, but with the panther markings showing up in certain lights like the pattern of watered silk. Everybody knew Bagheera, and nobody cared to cross his path, for he was as cunning as Tabaqui, as bold as the wild buffalo, and as reckless as the wounded elephant. But he had a voice as soft as wild honey dripping from a tree, and a skin softer than down.
It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.
When I was writing 'Black Panther,' on one level, I was angry because DC would never let me write 'Batman,' so I was doing Marvel's 'Batman,' and Reverend Achebe became sort of the Joker to Panther's Batman.
We are fortunate to have such an esteemed filmmaker join the Marvel family. The talents Ryan [Coogler] showcased in his first two films easily made him our top choice to direct 'Black Panther.' Many fans have waited a long time to see Black Panther in his own film, and with Ryan we know we've found the perfect director to bring T'Challa's story to life.
Usually, 'All Lives Matter' comes as a response to 'Black Lives Matter'; it doesn't exist in a vacuum. So when people say 'Black Lives Matter,' a lot of times the response 'All Lives Matter' can seem very condescending, dismissive to 'Black Lives Matter.'
I'm inspired by everything, really. I'm inspired by locations and travel, I'm inspired by art and music, I'm inspired by people. When my curiosity peaks and I want to know everything about the subject, I want to know how I can get more deeply involved.
My first draft of Marvel Knights 'Black Panther' was not funny at all. They smartly rejected the entire script and counseled me to inject liberal doses of humor into very serious subject matter.
Black Lives Matter was created as a response to state violence and anti-black racism and a call to action for those who want to fight it and build a world where black lives do, in fact, matter.
With 'Black Panther,' black artists were provided with the opportunity and agency to create art that captures the full range of their imaginative possibilities. It matters that Chadwick Boseman is the protagonist and is supported by a cast of nearly all black characters.
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