A Quote by Lev Grossman

The truth doesn't always make a good story, does it? — © Lev Grossman
The truth doesn't always make a good story, does it?
My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
Things that are good are good, and if one is responding to that goodness one is in contact with a truth from which one is getting something. The truth is doing us good. The truth of the sunshine, the truth of the rain, the truth of the fresh air, the truth of the wind in the trees, these are truths. And they are always accessible!
Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story... To make him/her forget, whenever possible, that he/she is reading a story at all.
[Eugene Smith] was always writing these diatribes about truth, and how he wanted to tell the truth, the truth, the truth. It was a real rebel position. It was kind of like a teenager's position: why can't things be like they should be? Why can't I do what I want? I latched on to that philosophy. One day I snapped, hey, you know, I know a story that no one's ever told, never seen, and I've lived it. It's my own story and my friends' story.
In the end, the truth always wins out. It always does, no matter how many times you tell a story that isn't true. In the end, the truth comes out. There's either video evidence or photographic evidence. I think the American people are smart consumers.
The story you envision as you start out is always a great story; when the facts turn out to be different from, or more complex than, what you expected, your first reaction is always disappointment. That's when you must fight the urge to bend the story to your preconceived notions. First, it's dishonest. And second, in the end, the truth is always the best story.
The truth is not that the problem is the newsroom does not understand capitalism. The problem is that the front office does not understand journalism. The problem is not that the average reporter does not understand what it is that's necessary to make the payroll, to make the good edifice, to make the thing that he wants. It is that in fact those who control too many of the edifices have actually come to believe that Wall Street has wisdom, and that that wisdom should instruct our business.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
Every good story needs a complication. We learn this fiction-writing fundamental in courses and workshops, by reading a lot or, most painfully, through our own abandoned story drafts. After writing twenty pages about a harmonious family picnic, say, or a well-received rock concert, we discover that a story without a complication flounders, no matter how lovely the prose. A story needs a point of departure, a place from which the character can discover something, transform himself, realize a truth, reject a truth, right a wrong, make a mistake, come to terms.
Just because something is told as a story and that story is part legend or myth, or feat of imagination, does not mean there is no truth in it.
A good story is always more dazzling than a broken piece of truth.
The gospel does in truth proclaim the redemption of reason. Obscurantism is always evil, and wilful error is always sin., All truth is God's truth; facts, as such, are sacred, and nothing is more un-Christian than to run away from them.
I don't want a team that escapes from reality and escapes from the truth. I don't want people who are always escaping, who always have a story and are always conniving. An ostrich tries to escape from the truth. Isn't an ostrich the thing that puts its head in the sand? But guess what's sticking out when he does it? It's ass, that's what. I don't want a team like that......Because when you have a team like that and trouble comes, that team will not face the trouble.
If a star film does not have a good story, it will not run. This will make stars choose good scripts consciously.
The truth is I've always taken very good care of my skin and always, always worn make-up.
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