A Quote by Lev Grossman
Which is the healthier kind of literary diversity: an un-gate-kept self-published book world, run substantially through Amazon? Or our current book world, which is part-gate-kept, part-not, with many different publishers and retailers and platforms? I'm not smart enough to figure it out, but if I had to guess I'd guess the latter.
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Before one goes through the gate one may not be aware there is a gate One may think there is a gate to go through and look a long time for it without finding it One may find it and it may not open If it opens one may be through it As one goes through it one sees that the gate one went through was the self that went through it no one went through a gate there was no gate to go through no one ever found a gate no one ever realized there was never a gate
Every phenomenon on earth is symbolic, and each symbol is an open gate through which the soul, if it is ready, can enter into the inner part of the world, where you and I and day and night are all one.
There was another thing I heartily disbelieved in - work. Work, it seemed to me even at the threshold of life, is an activity reserved for the dullard. It is the very opposite of creation, which is play… The part of me which was given up to work, which enabled my wife and child to live in the manner which they unthinkingly demanded, this part of me which kept the wheel turning - a completely fatuous, ego-centric notion! - was the least part of me. I gave nothing to the world in fulfilling the function of breadwinner; the world exacted its tribute of me, that was all.
Mary properly bore the name of Virgin, and possessed to the full all the attributes of purity. She was a virgin in both body and soul, and kept all the powers of her soul and her bodily senses far above any defilement. This she did authoritatively, steadfastly, decisively and altogether inviolably at all times, as a closed gate preserves the treasure within, and a sealed book keeps hidden from sight what is written inside. The Scriptures say of her, 'This is the sealed book' (cf. Rev. 5:1-6:1; Dan. 12:4) and 'this gate shall be shut, and no man shall enter by it' (Ezek. 44:2).
Just the idea that we, these little collections of atoms and molecules, are part of the world, but a part that can look at the rest of the world and figure it out in a self-referential way, is kind of breathtaking.
It is alone that part of the external universe which we call material which acts on man through his senses - that part of which we ordinarily feel our knowledge to be the surest; but in reality, strangely enough, as will soon appear, this is one of the aspects of the external world, of which we can know nothing.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
Fortunately, the time has long passed when people liked to regard the United States as some kind of melting pot, taking men and women from every part of the world and converting them into standardized, homogenized Americans. We are, I think, much more mature and wise today. Just as we welcome a world of diversity, so we glory in an America of diversity -- an America all the richer for the many different and distinctive strands of which it is woven.
The Sufis advise us to speak only after our words have managed to pass through three gates. At the first gate, we ask ourselves, 'Are these words true?' If so, we let them pass on; if not, back they go. At the second gate, we ask, 'Are the necessary?' At the last gate, we ask, 'Are they kind?'
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
I get letters from two kinds of readers. History buffs, who love to read history and biography for fun, and then kids who want to be writers but who rarely come out and say so in their letters. You can tell by the questions they ask - How did you get your ?rst book published? How long do you spend on a book? So I guess those are the readers that I'm writing for - kids who enjoy that kind of book, because they're interested in history, in other people's lives, in what has happened in the world. I believe that they're the ones who are going to be the movers and shakers.
My first film out of the gate was financially so successful that I guess, being in Hollywood, you get kind of put into a certain box.
I definitely feel like I'm carrying on the legacy of the Scott family. What Wendell had to go through was extremely difficult, but he kept racing, kept fighting. Part of him will be with me when I'm out on the track.
What if there was a library which held every book? Not every book on sale, or every important book, or even every book in English, but simply every book - a key part of our planet's cultural legacy.
It's the journey of self, I guess. You start with this kind of loner, outside guy, which a lot of people can relate to, and he goes out into the world.
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