A Quote by Lev Grossman

There's a special gut-check moment the first time you write a scene in which somebody casts a spell. — © Lev Grossman
There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
I'll write you a check. I'll write you a check. How do you spell Sheamus?
I gut check my show. I say, I say, "Gut, gut, does that feel true to you?" And Gut says, "Yes it does, Stephen. Let's get a grilled cheese sandwich."
I did a couple of writing seminars in Canada with high school kids. These were the bright kids; they all have computers, but they can't spell. Because spell-check won't [help] you if you don't know through from threw. I told them, "If you can read in the 21st century, you own the world." Because you learn to write from reading.
Did you ever spell a word so bad that your spell check has absolutely no clue what you're trying to spell? What do you end up getting, you end up getting, like, a question mark. You got a million dollars of technology just looking back at you like, 'You got me, buddy. Which is pretty amazing because I have all the words.'
Check your ego at the door and check your gut instead. Every right decision I have ever made has come from my gut. Every wrong decision I've made was the result of me not listening to the greater voice of myself
I never thought I'd write one book, let alone three. I'm absolutely delighted and every night, thank the good lord for spell check.
I learned how to let other performers have their moment. A lot of people can't do that. They just chew the scenery and steamroll over their scene partners. It doesn't make you look better in the long run to do that. You have to have balance in your scene. If it's somebody else's moment, let them have it. Learn how to be generous. Plus, it makes the audience hate you.
Truth casts a spell of its own.
There comes a special moment in everyone's life, a moment for which that person was born. That special opportunity, when he seizes it, will fulfill his mission - a mission for which he is uniquely qualified. In that moment, he will find greatness. It is his finest hour.
What is it in the actor, the stage, that casts so powerful a spell on the young imagination?
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.
I think these movies are as much for people of that time as for people who weren't born. For people who weren't born, they see how leaders must act under a crisis situation, not trying to be re-elected or not trying to check polls, that they go from their gut check.
The sea, once it casts its spell, holds one in its net of wonder forever.
Winning is one of the most special moments. Every time I take the field it's a special moment. The fans are the ones that make it special. Because that's what we do it for.
You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.
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