A Quote by Lev Yilmaz
My mom had gotten a Super 8 camera to make home movies with, and my brother and me got our hands on it and ran with it.
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My mom always had me and my brother watching old Fred Astaire movies.
I wish that I had gotten a chance to do another season of [ Gigi Does It], to see if I could explore the story more, or the character more, and also find an easier way to make the show. We never got that opportunity. But I'll always be super, super proud of it.
My brother and I spent countless hours as kids playing with our dad's home camera, we would create little sketches and movies and talk shows. But it wasn't until I was 10 that I started considering that I could do it as a job.
I've got dreams now of reinventing 'Hellraiser' and just getting my head on anything I can get my hands on that maybe I would love. 'Cause the possibilities are endless: I can make my own movies; I can make other people's movies. But if someone had a 'Hellraiser' script and had funding, and I loved it, let's go.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
I've got three kids. I worry about them but the gospel freed me and freed my wife. We are not trying to make our kids think that we're super spiritual or we've got it all together. They see mom and dad being real people. What they hear dad talking about at home is not different from what they see from dad [at church]. That won't guarantee that they'll avoid the whole PK, MK thing. But we are hopefully not contributing to what normally produces that crisis, which is pretending.
My mom is like super cool. I had a young mother. She had me at 16. So me and my mom's relationship is like very vibrant. Like, 'Oh mom, did you hear this song man?'
I moved to California when I was twelve and I got a video camera and made little movies because I didn't have any friends yet. I would force my sister to make these movies with me - which became my YouTube channel.
There was a piano in my house, and my brother had taken lessons when I was a kid. I don't remember this, but my mom told me she came home one day and I had learned everything he had studied for a year, and I was playing it on the piano.
For almost five years on 'Happy Days,' I have had a mom and pop and a brother who give me advice and help me just as my own parents and brothers and sisters do at home.
I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
It wasn't about Larry Holmes, if I would have fought a brother I wouldn't have gotten the money I got. Give me 10 black guys and I make eight dollars. Give me Gerry Cooney and I make $10 million.
We got into all the trouble you could ever imagine. We figured that if the Jones boys and all the gangsters ran Chicago, we had our own territory now. All the stores, all the crime, we were in charge of everything, my stepbrother and my brother.
My mom never cared if I came home dirty from playing outside with my brother. If I got my dress muddy, or my jeans were ripped, or I got blood on something. But I think a lot of girls have a different experience.
If we had an audience to play to, the performance would have gotten too big. Sizing our performances to the camera was an important journey for me at least.
No one was jumping up and saying, 'Yeah, let me give you money.' I had never held a camera in my hand - a home video camera, nothing. I had not directed.
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