A Quote by Leven Rambin
I did some pretty crazy stuff that I never thought I would do, for the sake of a movie, like surfing in eight-foot waves in pitch-black darkness, where I can't see anything. That still haunts me, kind of, in my nightmares, but it was worth it, it was fun.
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Every part of me is a surfer. I love surfing, and I love the waves that I surf. So that's the thing that I get excited about most: What kind of waves am I going to be able to surf? Am I going to be surfing alone, or will we be surfing waves that no one's surfed before? Second to that is photography.
I don't know a single person in life that doesn't have conflict. I don't really enjoy acting enough to not want to experience something that feels like it really affects things. It's like, if you were a surfer, would you want to surf where there was like two-foot waves, or would you want to surf on like ten-foot waves. To me, the more kind of dramatic stories are more exciting for me, to play with.
I was not really worried about what people thought of me or how offensive my jokes were. I was just kind of saying whatever I wanted, and that gave me the reputation of being this crazy, loose cannon, you know, psycho guy. It still kind haunts me to this day. Like, 'Oh, Shane Dawson - that guy's nuts.'
I don't bat an eye at stuff like that. I've had my share of wins. If I worried about the games I should have won, it would probably drive me crazy. It was a fun game to pitch in.
We spent six weeks there [in Vegas]. The only thing crazy that I did was shoot that movie [The Hangovers]. The stuff in that movie is way crazier than anything I might have done, drunk one night in Vegas. I mean we did it for real in the movie, so that's as crazy as it got.
I like to direct movies, but I don't like to goof around for eight years talking about it. And it's pretty irritating to get a movie on. So to complicate it by having more irritation as a director, I don't really need it. And because I direct a great deal still, but in the theater, I kind of get that anyway. Which is not at all to say I would never do it again, or it would never happen again.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
It would be crazy for me to come out now talking about selling drugs and doing all this stuff I never did for the sake of A&R or records or trying to keep the street buzz or whatever.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.
I would go back to school after working on a movie, and it didn't feel I missed anything, like I had been away. I did mature pretty quickly, though, but I still sound pretty immature sometimes.
We still have a long way to go but if we work together and we work hard, you'll see black people in positions you never thought we'd be in. I thought I would never see a black President.
I remember my wife wanted me to go see 'Contagion,' and I was like, 'Oh my God, why would I want to see that movie?' I mean, I'll just have nightmares and it will freak me out. It turned out that I really enjoyed it; I thought it was very well done.
I kind of wanted to be a waitress in New York City. I thought it was fun and glamorous in its own way. Like in the movie 'Beaches,' when Bette Midler is banging on the radiator, and it's cold, and she's poor. I kind of thought that would be fun to be, like, a poor, struggling actor.
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