A Quote by Levon Helm

With horns and a full rhythm section, the drums always looked like the best seat in the house. — © Levon Helm
With horns and a full rhythm section, the drums always looked like the best seat in the house.
My idea of Heaven has nothing to do with fluffy clouds or angels. In my Heaven there's butter pecan ice cream and swimming pools and baseball games. The Brooklyn Dodgers always win, and I have the best seat in the house, right behind the Dodger's dugout. That's the only advantage that I can see about being dead: You get the best seat in the house.
I'd like to have James Brown as my singer. I already have the best drummer, Tommy Clufetos. I've jammed a bunch with John Entwistle, and it was like a musical orgy. That guy is a living, breathing, grunting rhythm. For horns, let's go with the Stax/Volt guys, and I'm going to have Steve Cropper on standby just in case I want a rhythm guitarist.
I have a West Coast rhythm section and a New York rhythm section. I've got them spread out all over the place.
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
For a long time, I dressed like an idiot. In college, I had a fully shaved head with just two horns. Like, a coxcomb of hair that I would sculpt into two horns. I looked like a crazy person.
Asia is the continent rhythm forgot. At best Asian music is off-brand American pop, like Sonny Bono in a karaoke bar. At worst Asian music sounds as if a truck full of wind chimes collided with a stack of empty oil drums during a birdcall contest.
For instance, if you're playing a record with drums - horns would sound nice to enhance it so you get a record with horns and slip it in at certain times.
The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
Grace. Loss. Fortune. Hardship. Victory. Sometimes the worst seat is best seat in the house and it comes as a result of leading.
I had the house rhythm section at a club called the Sundown in Hartford. Stan Getz came up and played with us.
As a musician, I don't think I'm the greatest guitar player. I'm a bigger fan of the drums than I am the guitar; I just happen to play guitar. I play drums almost every day at my house. I wrote a lot of songs behind the drum kit, just having the music and vocals in my head and playing the rhythm.
If you don't have a good rhythm section, your band is toast; you're a bar band. Good rhythm section, you've got a chance to get out of the bar.
I always liked the double cutaway. It looked like two horns. It's like a red devil. So I went to the guitar shop, saw an SG that was sitting there looking rather lonely, and said, 'Hey, that's for me.'
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
The relationship in Pantera and with Damageplan is the opposite of the traditional rhythm section. It's me and Dime, not the bass, locking in always. Dime's such a strong rhythm player that we just walk in, and we're good to go. We've been playing together forever, and when he goes somewhere, I instinctively know where he's going.
I think that the rhythm sections, drummers in particular, are the unsuing heroes of the music. It's the rhythm section that has changed the styles from one period to the other.
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