A Quote by Levon Helm

It's different playing in a studio than it is playing live, of course. — © Levon Helm
It's different playing in a studio than it is playing live, of course.
I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
On the road you have to be more organized. Also, a crowd's energy helps you focus. Nothing compares to playing live. You have to slamdunk whatever you're playing. In the studio, you can do things over.
When you're playing a superhero, you're almost playing two different people. I separate when I'm playing Jefferson Pierce and the days when I'm playing Black Lightning.
There's a certain - there's a different pressure with playing in a Ryder Cup. You know, you're not just playing for yourself. You're playing for your teammates. You're playing for your country.
It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
Of course, when it comes to Japanese role-playing games, in any role-playing game in Japan you're supposed to collect a huge number of items, and magic, and you've got to actually combine different items together to make something really different.
Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
One of the things I love, more than anything, is jumping around and playing lots of different parts. I love the variety of playing different characters.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I became an actor because I enjoy playing a variety of different people rather than playing one person for the rest of my career.
Playing in midfield is a different ball game. You have to be on the half-turn all the time, have a different picture in your head of what is behind you and in front of you. Playing at right-back is different again.
One day, I was playing 'The Game of Life,' the board game, with a mess of kids, and I wasn't quite sure how, but it seemed different than the game I remembered playing as a kid. So I bought an old game, from 1960, and it was different.
In the studio is one thing, but playing live is the important part, I think.
Every team I play, I'm playing them like we playing the Golden State when they had Kevin Durant. Every point guard I play, I'm playing Steph Curry. Every shooting guard I'm playing, I'm playing James Harden. Every three-man I'm playing, I'm playing LeBron and KD.
This site uses cookies to ensure you get the best experience. More info...
Got it!