A Quote by Levon Helm
The way to do it is to put as much life into the song as I can. You can either get it to breathe or you can't.
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If you read about a tree, and there is a description, you have to grow that tree in your mind. So that's an active way of looking at media, whereas a movie or a TV will be passive, because they are showing you the tree. In the same way, when somebody sings a song for you, those words get so much in the foreground, that even if you take a minor key of music and then put like happy lyrics to it and people think it's a happy song. So, in a song, you are told what to feel, whereas, in an instrumental music, you get as much out of it as you are willing to put into it.
I don't work so hard at trying to get every song to be three-dimensional and mean so much. I just want to breathe, right now, with the music.
Every song you write you think is the last one you're going to manage. You put everything you've got into the song, and you've twisted it and pulled at it and dug in and found a way to complete it. To get another one is the trick.
I know if you get mad, and in a world with all the competitors I've been around in my life, either from fighting or wrestling or other sports, you have to learn to breathe.
When you get to say something in a song you're not directing it necessarily at one person. When it's in a song it's easier to get it out. I don't really worry so much about it when I'm writing a song.
It's mind control, see. You have to go to school, get those exams, get to university or college, get a job, get married, don't miss the boat, do it now or you'll shoot your life down the drain. Yeah. They got you as soon as you were born. They never risked a second of your life. When you have kids they'll be telling them they have to wear a plastic mask and put a penny in the slot about their nose before they can breathe in.
You can punch a wall or write a song. Just as painful either way, but you have something to show for it at the end of the day with a song.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
If a new artist wants to put out some sort of off-the-wall, crazy deep ballad about the sun or whatever, it might be hard to get traction. It's so much easier for someone established to put out a really heartfelt, deep song and get it played in radio.
You breathe in and out; you breathe in and you breathe out, and you live one moment into the next moment, and then time goes by, and you find you're able to put one foot in front of the other.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
The joy of a period film is that you're taken to another world. The costumes determine the way you move, and then consequently the way you breathe. And then, the way you breathe effects the way you think.
What I like about music is that you make a song, you've got your ideas in it, and people make that song part of their life - they hang out with their friends to it, they get in arguments to it, they get married to it, they get divorced to it. It's in their world, and it takes on its own life.
Music fills peoples with life. It doesn't have to be a 'happy song.' If you have that one song that relates to you, whether it's a sad song or a gangster song, whatever relates to you the most in that moment, it can literally get you through the day.
For all of my life, I've had this one song in my head, and I'm still trying to write it. I'm still trying to get that song out. I'm getting closer, every record I get a little bit closer to saying it the way I want to say it.
And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, 'Do cats eat bats? Do cats eat bats?' and sometimes, 'Do bats eat cats?' for, you see, as she couldn't answer either question, it didn't much matter which way she put it.
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