A Quote by Levon Helm

Songs don't wear out. Good songs are good now. If they were a comfort during those hard times in the past, they'll be a comfort in today's age. — © Levon Helm
Songs don't wear out. Good songs are good now. If they were a comfort during those hard times in the past, they'll be a comfort in today's age.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
Most of the people you see me working for me are actually with me. And I'm proud to say that I've known them for 20 years almost. I've written songs with, produced songs with them a lot of times. I don't deviate form my comfort zone. I feel like when God brings people to you, it's good to keep 'em around.
In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.
There are not so many songs written about love today like there were in the past. It's all changed, but that's why my songs still last as big favorites today.
Songs like 'Outfit' and 'Decoration Day' and 'Dress Blues,' those were good songs, but the output wasn't as consistent in those days.
Living in the past or living in the future - those aren't real. The moment is now, and that's where safety and comfort and all that good stuff is.
Early on I was just a kid in a cowboy hat with a bunch of other guys in a room that were putting out some records. Now thank God, in the past 3 or 4 years, when.. it's really hard to burn an image of a face with a song these days. I think that the songs like 'Don't Happen Twice' and 'Young' were songs that helped me do that and I think that 'I Go Back'(did) that even more.
We love comfort, and people make a lot of money selling us comfort, but I would challenge the notion that comfort is usually good for us.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I think great songs can come from anywhere and you constantly have to be able to look out for those. I think a lot of the times people will try too hard to write everything themselves and therefor miss out on great songs that way.
When I made 'Feed tha Streets,' those were the only 17 songs I had made, period. There was no cutting songs out or adding other songs in.
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