A Quote by Lewis Baltz

I used photography to distance myself from a world that I loathed and was powerless to improve. — © Lewis Baltz
I used photography to distance myself from a world that I loathed and was powerless to improve.
The distance between number one and number two is always a constant. If you want to improve the organization, you have to improve yourself and the organization gets pulled up with you. That is a big lesson. I cannot just expect the organization to improve if I don't improve myself and lift the organization, because that distance is a constant.
In previous ages the word 'art' was used to cover all forms of human skill. The Greeks believed that these skills were given by the gods to man for the purpose of improving the condition of life. In a real sense, photography has fulfilled the Greek ideal of art; it should not only improve the photographer, but also improve the world.
sad things are beautiful only from a distance therefore you just want to get away from them from a distance of one hundred and thirty years ....i'm going to distance myself until the world is beautiful
As for the various kinds of montage photography, they are in reality not photography at all but a kind of painting in which photography is used - as pastiches of textiles are used in crazy-quilts - to form a mosaic. Whatever value the montage may have derives from painting rather than the camera.
I've never been the type of photographer to live with people I photograph. You know, shoot heroin with them, that kind of thing. I respect those photographers that work that way. But part of my personality is a certain amount of distance, and part of my attraction to the medium of photography is this distance where you're in the world, but you're removed from it.
Photography is to the layman perhaps the most enticing art. As a buff and a follower, at a respectful distance, I find myself like others, having the heart of a Steiglitz with hands that sometimes seem impeded by boxing gloves. What is exasperating is that one can feel closer to managing the skills of photography than most other arts, and yet be a long hop, skip and delusional way from it.
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
I'm not a political progressive, but I consider myself a progressive person. What makes me a progressive, in my opinion, is the fact that I try to improve myself and by large improve the world that I'm in - in the smallest way possible.
I've always loathed rich people, so I've become who I've loathed, which makes it doubly difficult, if you can follow me.
I lock my door upon myself, And bar them out; but who shall wall Self from myself, most loathed of all?
I used to hate religion, I loathed it in my angry days.
The particular source of frustration of women observing their own self-study and measuring their worth as women by the distance they kept from men necessitated that a distance be kept, and so what vindicated them also poured fuel on the furnace of their rage. One delight presumed another dissatisfaction, but their hatefulness confessed to their own lack of power to please. They hated men because they needed husbands, and they loathed the men they chased away for going.
I was attracted to photography because it was technical, full of gadgets, and I was obsessed with science. But at some point around fifteen or sixteen, I had a sense that photography could provide a bridge from the world of science to the world of art, or image. Photography was a means of crossing into a new place I didn't know.
Resistless change, when powerless to improve, Can only mar.
I do not abuse players. I talk to myself; I abuse myself. It's my way of letting off steam. I do it after every century; I do not do it always. I keep telling myself: 'Improve, improve from the previous match, the previous shot. You can do it.'
Without money, you are powerless in this world. You are totally subject to whatever happens. To be without money in the physical world is to be powerless.
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