A Quote by Lewis Black

It's amazing what I could've written in my life if I had realized that I should keep writing and not masturbating. — © Lewis Black
It's amazing what I could've written in my life if I had realized that I should keep writing and not masturbating.
This world would be a better place if people just realized that there's no written-in-stone set time to do anything. You could meet the love of your life at 18 or 48. You could become an amazing mom and be in the right head for that incredible journey at 24 or 42.
It’s amazing how quickly something gets written. Now, when it comes, it can be on a bus, or in a store. I’ve stopped in Macy’s and written on a dry-goods counter and then suddenly had a whole piece of writing for myself that was accomplished, where earlier in my life I felt I had to spend a week in a house somewhere in the country in order to get that. Conditions change.
I had written many things as a journalist, but I had no idea if I could write something scary or romantic or touching that wasn't me writing about someone else's life story. It was really exciting to try.
A book is not an example of 'women's writing' simply because it is written by a woman. Writing may become 'women's writing' when it could not have been written by a man.
I had never thought about writing a novel. But I had two young kids, and I realized that if I could write a novel, I could work at home.
Every story I've written was written because I had to write it. Writing stories is like breathing for me; it is my life.
Kafka could never have written as he did had he lived in a house. His writing is that of someone whose whole life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he'd never have written a word.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
For the last 20 years of my life, I've had the mantra to do amazing parts with amazing people in amazing projects, so I'm attracted to good story, writing and character and good people. That's what I'm always searching for and I don't think that's ever going to change.
I remember looking at James Joyce's journals. It was just amazing - it looked like ants had written on the page. So much writing on one page, every corner of the page was filled. Some of the lines were underlined in yellow or blue or red. A lot of color, intense writing.
All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
For most of my life, when I've finished the book I'm writing, there've always been as many as two or three other novels waiting to be written next. And the decision driving which one of them it should be was never based on how long it had waited or how many accumulated pages of notes I had.
I do think reading is the best practice for writing, along with writing all the time. I actually never liked writing on my own or in school until I'd had my blog for a while and realized I'd been writing every day for years.
I had always written. I had written stories and poems. Then I started writing plays.
I had never realized a woman could have to struggle to keep her hands off a man, but here I was, digging my nails into my palms, staring at the inside of my eyelids as though I could maybe see through them if I peered hard enough.
Nothing I had written before 'Mary Poppins' had anything to do with children, and I have always assumed, when I thought about it at all, that she had come out of the same wall of nothingness as the poetry, myth and legend that had absorbed me all my writing life.
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