A Quote by Lewis Black

In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.
I never envisioned that I would be able to bring something to the entertainment table that would fit Las Vegas. Vegas is so presentational; it's live theater and, for me, it's always been film or television, which isn't why people come to Las Vegas. So it's exciting to be apart of all of this, the thrust of the entertainment of Vegas.
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
I love Atlanta. It's a great city with great crews there, but it's really hard to make it into a Las Vegas version of it because it doesn't look at all like Las Vegas.
We have a great set-up in Las Vegas. I love being in Vegas; all our camps will be in Vegas. We are just going to spend more time in the U.K. in terms of fighting. But New Zealand will still be home for me.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas. You can pretty much do it all day and all night if you want to.
The last time I appeared in Las Vegas, they were wearing hoop skirts and Davy Crockett hats, ... But they say 'What happens in Vegas, stays in Vegas.' And as far as fashion is concerned, that's a good thing.
I love Las Vegas. I like that Las Vegas has everything. Everything and anything you want to do, you can do in Las Vegas.
I do think that people go to Las Vegas for 'whatever happens in Vegas stays in Vegas.' They go for the spectacle.
It's like a crapshoot in Las Vegas, except in Las Vegas the odds are with the house. As for the market, the odds are with you, because on average over the long run, the market has paid off.
I love Vegas. God knows that I know how to find my way around the buffets in Las Vegas.
I'm really fascinated by how the mob ethos permeates places like Las Vegas and Chicago. I have the book set in Las Vegas and Chicago for pretty specific reasons, some of which are that in both cases the mob history has become a tourist attraction - I'm actually doing a book signing in Las Vegas at The Mob Museum, which I am positively giddy about! - and I find that especially unusual. If you don't call these people "the Mafia" they're just a band of psychopaths killing people for profoundly dumb reasons.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
Sure, we loaned money to build hotels and casinos in Las Vegas. So what? Las Vegas borrowers were good customers.
These days I'm headquartered out of Las Vegas, which is what I consider and the world considers to be the entertainment capital of the globe. It's been interesting because I've seen the rise of Vegas and in recent years I've seen the fall of Vegas. It's now interesting to take a look at it as it begins its bounce back again.
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