A Quote by Lewis Buzbee

How do you press a wildflower into the pages of an e-book? — © Lewis Buzbee
How do you press a wildflower into the pages of an e-book?

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There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
It was a good moment, the kind you would like to press between the pages of a book, or hide in your sock drawer, so you could touch it again.
My twenties were about exploring love and being a wildflower and trying to figure everything out. Now I'm not comfortable being that happy wildflower anymore, but I still don't feel like a woman. I wonder when that moment's going to hit.
Really, the greatest compliments about a book [One Thousand Gifts] are never about the book, or the author of the book, but about the reader and God and how the pages helped them connect at a deeper level.
If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!
I used to comfort myself with the idea of a book with serrated, detachable pages, so that you could read the thing the way it came and then shuffle the pages, like a giant deck of cards, and read the book in an entirely different order. It would be a different book, wouldn't it? It would be one of infinite books.
The American press is, and always has been, a booster press, its editorial pages characteristically advancing the same arguments as the paid advertising copy.
The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .
This book taught me, once and for all, how easily you can escape this world with the help of words! You can find friends between the pages of a book, wonderful friends.
I'd love to do a book with scratch n' sniff pages and pieces of string and plastic attached to the pages, you know?
Pitches are like pages of a book; they're so important. The chess game; how I set you up early, and how I'll do it differently later.
I have to get three pages done every day, and there's usually a point about 150 pages in where everything falls apart, where all the plans are for naught. The book has become something else, and I have a nervous breakdown, and then I submit to what the book has become, and I keep going, and that's a terrible and then a great time.
If you get a book which is 600 pages, you have to reduce it to a script of 100 pages. In two hours of film, you cannot possibly include all the characters.
I'd like to meet fewer people who say 'Oh, I want to write a book, here are 10 pages I've written,' and more 'Oh, I want to write a book, here are 300 pages I've written.'
I subscribe to the theory that reading a book is similar to walking a trail, and I'm most comfortable walking when I can see where I'm going and where I've been. When I'm reading a printed book, the weight of the pages I've turned gives me a sense of how far I've come.
Every now and then I'll read a book, I'll be so proud of myself, I'll try and squeeze it into conversation. People will be like, "Hey Jim, how ya do-" "I read a book! Two hundred and fifty pages!" "That's great, what was it about?" "No idea! Took me three years!"
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